User:KWatson/sandbox: Difference between revisions
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Much more could be said about language and style here, but I will add only one more comment. As Thomas E. Gould demonstrates, the American linguistic Puritanism of the | Much more could be said about language and style here, but I will add only one more comment. As Thomas E. Gould demonstrates, the American linguistic Puritanism of the | ||
1930s would not permit Hemingway to use the obscenities his characters spoke in, nor would it permit explicit description of sexual acts (–). This last prohibition might be construed to have had one positive outcome with respect to Hemingway’s description of the love making of Robert Jordan and Maria, because rather than describing their actions directly Hemingway uses a rich repertoire of metaphors. Hemingway’s depiction of the third and final time Jordan and Maria make love, when together they reach “la gloria,” is highly original and moving. | 1930s would not permit Hemingway to use the obscenities his characters spoke in, nor would it permit explicit description of sexual acts (–). This last prohibition might be construed to have had one positive outcome with respect to Hemingway’s description of the love making of Robert Jordan and Maria, because rather than describing their actions directly Hemingway uses a rich repertoire of metaphors. Hemingway’s depiction of the third and final time Jordan and Maria make love, when together they reach “la gloria,” is highly original and moving. | ||
<blockqoute>There is no other one but one now, one, going now, rising now, sailing now, leaving now, wheeling now, soaring now, away now, all the way now, all of all the way now, one and one is one, is one, is one, is one ...is one in goodness, is one to cherish, is one now on earth with elbows against the cut and slept-on branches of the pine tree with the smell of the pine boughs and the night; to earth conclusively now, and with the morning of the day to come. ( )</blockquote> | |||
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