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firearm is an extension of the individual’s capacity to resist evil forces and
firearm is an extension of the individual’s capacity to resist evil forces and
fight with existential heroism for the good.
fight with existential heroism for the good.
Firearms play minor roles in other Hemingway novels and stories: the
shotguns Col.Cantwell uses in the opening duck-hunting sequence of Across
the River and into the Trees (); the . Magnum carried by Thomas Hudson in Islands in the Stream () and the Thompson gun used to shoot
sharks in that novel; the shotgun used by the father in “A Day’s Wait” to dispense death to quail while his beloved son is lying in bed at home mistakenly expecting his own death. Finally, the last gun for Hemingway was the
“double-barreled Boss shotgun with a tight choke” with which he took his
own life (Baker ).
What,finally, can we say about the role of gunsin the works of Hemingway
and Mailer? They are virtually ubiquitous, sometimes mere everyday equipment, more often objects of profound symbolic and thematic significance.But
always, as in life, they loom as instruments that amplify the individual’s influence on the world around him.Whether used to hunt game, commit murder,
or fight for a political ideal, every gun is a tool that extends the power of the
existential human will in a world that would attempt to render it impotent.
{{center|WORKS CITED}}
Baker, Carlos. Ernest Hemingway: A Life Story. New York: Scribner, . Print.
Hemingway, Ernest. Across the River and into the Trees. New York: Scribner, . Print.
———. “A Day’s Wait.”The Snows of Kilimanjaro and other Stories. NewYork: Scribner, .–.
Print.
———. A Farewell to Arms. New York: Scribner, . Print.
———. For Whom the Bell Tolls. New York: Scribner, . Print.
———. Islands in the Stream. New York: Scribner, . Print.
———. “The Killers.” The Snows of Kilimanjaro and other Stories. New York: Scribner, . –.
Print.
———. “The Short Happy Life of Francis Macomber.” The Snows of Kilimanjaro and Other Stories.
New York: Scribner, . –. Print.
———. To Have and Have Not. New York: Scribner, . Print.
The Killers. Dir. Robert Siodmak. Perf. Burt Lancaster and Ava Gardner. Universal Pictures, .
Film.
Mailer, Norman. An American Dream. New York: Dial Press, . Print.
———. The Executioner’s Song. Boston: Little, Brown and Co., . Print.
———. The Naked and the Dead. New York: Rinehart and Co., . Print.
———. Oswald’s Tale: An American Mystery. Boston: Little, Brown and Co., . Print.
———. Tough Guys Don’t Dance. New York: Random House, . Print.
———. Why Are We in Vietnam? New York: G. P. Putnam’s Sons, . Print.
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