User:Sherrilledwards/sandbox: Difference between revisions
moved not pasted yet notice to just before God-Language in Mailer |
last full para p343 |
||
Line 111: | Line 111: | ||
But here we may find a cognitive divide on the nature of language. Theological fundamentalists believe language to be essentially literal, ''determined'' for all time, even restricted to the letters of the King James Bible of 1611. Theological liberals, on the other hand, will see language as metaphorical, ''indeterminate,'' always in flux. As with Hemingway, Mailer’s God language would seem incompatible with that fundamentalist perspective, but compatible with a more liberal viewpoint. | But here we may find a cognitive divide on the nature of language. Theological fundamentalists believe language to be essentially literal, ''determined'' for all time, even restricted to the letters of the King James Bible of 1611. Theological liberals, on the other hand, will see language as metaphorical, ''indeterminate,'' always in flux. As with Hemingway, Mailer’s God language would seem incompatible with that fundamentalist perspective, but compatible with a more liberal viewpoint. | ||
Mailer asks hard questions. In ''Gospel,'' he asks if there is a God who is more than nostalgia enshrined in ancient words. In ''Castle,'' he asks if we shall avoid the lure of Fascism and another Hitler. Is there a God who speaks to modernity and the evils of the Holocaust? With D.T. as narrator in ''Castle,'' we encounter a Nazi officer in the SS. Then we discover he is also “an officer of the Evil One.”{{sfn|Mailer|2007|p=71}} Mailer recognizes the risk that he runs, “Given the present authority of the scientific world, most well-educated people are ready to bridle at the notion of such an entity as the Devil.”{{sfn|Mailer|2007|p=71}} Robert Begiebing comments,“The suspension of disbelief required is audacious.”{{sfn|Begiebing|2007|p=216}} But Mailer reminds us that our modern world has little understanding of Hitler, “the most mysterious human being of the century.”{{sfn|Mailer|2007|p=72}} | |||
=== Notes === | === Notes === | ||
Line 129: | Line 135: | ||
* {{cite book |last=Baker |first=Carlos |date=1972 |title=Hemingway: The Writer as Artist |location=4th ed. Princeton |publisher= Princeton University Press |ref=harv }} | * {{cite book |last=Baker |first=Carlos |date=1972 |title=Hemingway: The Writer as Artist |location=4th ed. Princeton |publisher= Princeton University Press |ref=harv }} | ||
* {{cite journal |last=Begiebing |first=Robert |title=Castle Mailer |journal=The Mailer Review |volume=1.1 |date=2007 |pages=215-222 |ref=harv }} | |||
* {{cite book |last=Berger |first=Peter L. |date=1969 |title=A Rumor of Angels: Modern Society and the Rediscovery of the Supernatural |location=Garden City |publisher= Doubleday |ref=harv }} | * {{cite book |last=Berger |first=Peter L. |date=1969 |title=A Rumor of Angels: Modern Society and the Rediscovery of the Supernatural |location=Garden City |publisher= Doubleday |ref=harv }} |