User:Sherrilledwards/sandbox: Difference between revisions

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''Harlot’s Ghost''{{sfn|Mailer|1991}} has myriad themes: betrayals ideological and sexual, haunting of sons by fathers, the “compartmentalization of the heart.”{{sfn|Mailer|1991|p=13}} Using the CIA as a ''synecdoche'' for a world of modernity, Mailer shows the boundary between fiction and non-fiction to be extraordinarily indeterminate. That indeterminacy applies to language but also to the ''realpolitic'' world of intelligence. But perhaps the most fascinating example of God-language appears in the last few pages of ''Harlot’s Ghost.'' It comes from Hugh Montague, codename “Harlot”—a mysterious protagonist loosely based on a real person, the enigmatic onetime poet and chief of CIA Counter-intelligence, James Jesus Angleton (1917–1987).{{efn|There is no consensus on Angleton. Was he the greatest practitioner of counter-intelligence, or, like Kim Philby in British Intelligence, was he a Russian mole? Mailer describes him as “a most complex and convoluted gentleman."{{sfn|Mailer|1991|p=1132}}}} Harlot speculates that the whole cosmos revealed in modernity fossils, evolution, solar system—to be God’s “‘majestic cover story,’”{{sfn|Mailer|1991|p=1280}} an exercise in ''disinformation'' and misdirection from the Lord of Spies, Jehovah.

<blockquote>“‘What would I do if I were Jehovah . . . . I have created him, after all, in My image, so he will wish to discover My nature in order to seize My throne. Would I ever have permitted such a contract in the first place, therefore, if I had not taken the wise precaution to fashion a cover story?’ . . . .“ You can say the universe is a splendidly worked-up system of disinformation calculated to make{{pg|340|341}}us believe in evolution and so divert us away from God. Yes, that is exactly what I would do if I were the Lord and could not trust My own creation.”{{sfn|Mailer|1991|p=1280-1}} </blockquote>

=== Notes ===

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 ''Harlot’s Ghost''{{sfn|Mailer|1991}} has myriad themes: betrayals ideological and sexual, haunting of sons by fathers, the “compartmentalization of the heart.”{{sfn|Mailer|1991|p=13}} Using the CIA as a ''synecdoche'' for a world of modernity, Mailer shows the boundary between fiction and non-fiction to be extraordinarily indeterminate. That indeterminacy applies to language but also to the ''realpolitic'' world of intelligence. But perhaps the most fascinating example of God-language appears in the last few pages of ''Harlot’s Ghost.'' It comes from Hugh Montague, codename “Harlot”—a mysterious protagonist loosely based on a real person, the enigmatic onetime poet and chief of CIA Counter-intelligence, James Jesus Angleton (1917–1987).{{efn|There is no consensus on Angleton. Was he the greatest practitioner of counter-intelligence, or, like Kim Philby in British Intelligence, was he a Russian mole? Mailer describes him as “a most complex and convoluted gentleman."{{sfn|Mailer|1991|p=1132}}}} Harlot speculates that the whole cosmos revealed in modernity fossils, evolution, solar system—to be God’s “‘majestic cover story,’”{{sfn|Mailer|1991|p=1280}} an exercise in ''disinformation'' and misdirection from the Lord of Spies, Jehovah.
+<blockquote>“‘What would I do if I were Jehovah . . . . I have created him, after all, in My image, so he will wish to discover My nature in order to seize My throne. Would I ever have permitted such a contract in the first place, therefore, if I had not taken the wise precaution to fashion a cover story?’ . . . .“ You can say the universe is a splendidly worked-up system of disinformation calculated to make{{pg|340|341}}us believe in evolution and so divert us away from God. Yes, that is exactly what I would do if I were the Lord and could not trust My own creation.”{{sfn|Mailer|1991|p=1280-1}} </blockquote>
 === Notes ===