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The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions
The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself (view source)
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Kennedy perceives that in Hemingway “place is the organizing principle | Kennedy perceives that in Hemingway “place is the organizing principle | ||
of memory” {{sfn|Kennedy|1999|pp=328}}. This claim rings true: we may think of the title and epigraph for Hemingway’s The Sun Also Rises (1926) or we could reflect on the | |||
archetypal nature of so many settings in Hemingway’s work.<sup>9</sup> We might think | |||
about the complex relationship between inner and outer landscapes, remembering Mailer’s poignant description of Hemingway, that his “inner landscape was a nightmare” {{sfn|Sipiora|2013|pp=170}}.<sup>10</sup> Maybe it was. It needs to be said, however, that whenever we encounter landscape, it is always as pictured through our senses, as refracted through our own perspective, as recreated from our own memories. | |||
So Kennedy writes of Harry’s “to | |||
. . . | . . . | ||