User:KWatson/sandbox: Difference between revisions
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war that inspired ''Tough Jews''. Either way, with this line, Mailer introduces himself into the lineage of tough Jews but with his own spin. When Pope tells us that Lee Ray Rogers brings out the Italian in him, he speaks for Mailer as well. Because Jewish masculinity for Mailer is always borrowed from and channeled through other ethnic masculinities, Pope’s words are as good as Mailer’s saying that Rogers | war that inspired ''Tough Jews''. Either way, with this line, Mailer introduces himself into the lineage of tough Jews but with his own spin. When Pope tells us that Lee Ray Rogers brings out the Italian in him, he speaks for Mailer as well. Because Jewish masculinity for Mailer is always borrowed from and channeled through other ethnic masculinities, Pope’s words are as good as Mailer’s saying that Rogers | ||
brings out the Jew in him, and Mailer’s (via Pope’s) tough Jew is always already fighting, whether he is pushing Arabs out of Palestine or fighting to defend his dog’s honor. Thus, much as Mailer helped to unmake cinema as he made it, Mailer makes Jewishness as he unmakes it— masculinity unravels as the film does the same, moving from real to reel. | brings out the Jew in him, and Mailer’s (via Pope’s) tough Jew is always already fighting, whether he is pushing Arabs out of Palestine or fighting to defend his dog’s honor. Thus, much as Mailer helped to unmake cinema as he made it, Mailer makes Jewishness as he unmakes it— masculinity unravels as the film does the same, moving from real to reel. | ||
=== Notes === | |||
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