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A kind of mirror image to Gospel is Mailer’s ''The Castle in the Forest.''{{sfn|Mailer|2007}} In reconstructing the beginning of Hitler, Mailer explores two opposing entities—God and the Devil—and their cosmic struggle. Like ''Gospel,'' this work questions the boundaries of language, plumbing deep realms of cosmology. Mailer is writing literature, but he is also writing theology. Not all theology arises in seminary, church, or synagogue: God-language may emerge even in the world of modernity. | A kind of mirror image to Gospel is Mailer’s ''The Castle in the Forest.''{{sfn|Mailer|2007}} In reconstructing the beginning of Hitler, Mailer explores two opposing entities—God and the Devil—and their cosmic struggle. Like ''Gospel,'' this work questions the boundaries of language, plumbing deep realms of cosmology. Mailer is writing literature, but he is also writing theology. Not all theology arises in seminary, church, or synagogue: God-language may emerge even in the world of modernity. | ||
But here we may find a cognitive divide on the nature of language. Theological fundamentalists believe language to be essentially literal, ''determined'' for all time, even restricted to the letters of the King James Bible of 1611. Theological liberals, on the other hand, will see language as metaphorical, ''indeterminate,'' always in flux. As with Hemingway, Mailer’s God language would seem incompatible with that fundamentalist perspective, but compatible with a more liberal viewpoint. | |||
=== Notes === | === Notes === |