The Mailer Review/Volume 4, 2010/Inside Norman Mailer: Difference between revisions
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unlikely. Look at Pete Rademacher—not even a pro. Fresh from a three-round Olympic decision, he got a shot at Floyd Patterson, made the cover of | unlikely. Look at Pete Rademacher—not even a pro. Fresh from a three-round Olympic decision, he got a shot at Floyd Patterson, made the cover of | ||
''Sports Illustrated'', picked up an easy hundred grand. Now that is one fight | ''Sports Illustrated'', picked up an easy hundred grand. Now that is one fight | ||
that Mr. Mailer, the | that Mr. Mailer, the literary lion, chose not to discuss. The clash between | ||
pro and amateur didn’t grab his imagination like two spades in Africa or the | pro and amateur didn’t grab his imagination like two spades in Africa or the | ||
dark passion of Emile Griffith. Yes, you know how to pick your spots, Norman. I who have studied your moves think that your best instinct is judgment. It’s your secret punch. You knew how to stake out Kennedy and | dark passion of Emile Griffith. Yes, you know how to pick your spots, Norman. I who have studied your moves think that your best instinct is judgment. It’s your secret punch. You knew how to stake out Kennedy and | ||
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Max Apple
Note: Reprinted by permission of the author, Max Apple. From The Oranging of America. New York: Viking. 1976. pp. 49–60.
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So what if I could kick the shit out of Truman Capote, and who really cares that once in a Newark bar, unknown to each other, I sprained the wrist of E. L. Doctorow in a harmless arm wrestle. For years I’ve kicked around in out-of-the-way places, sparred for a few bucks or just for kicks with the likes of Scrap Iron Johnson, Phil Rahv, Kenny Burke, and Chico Vejar. But, you know, I’m getting older too. When I feel the quick arthritic pains fly through my knuckles, I ask myself, Where are your poems and novels? Where are your long-limbed girls with cunts like tangerines? Yes, I’ve had a few successes. There are towns in America where people recognize me on the street and ask what I’m up to these days. ‘’I’m thirty-three,” I tell them, “in the top of my form. I’m up to the best. I’m up to Norman Mailer.”
They think I’m kidding, but the history of our game is speckled with the unlikely. Look at Pete Rademacher—not even a pro. Fresh from a three-round Olympic decision, he got a shot at Floyd Patterson, made the cover of Sports Illustrated, picked up an easy hundred grand. Now that is one fight that Mr. Mailer, the literary lion, chose not to discuss. The clash between pro and amateur didn’t grab his imagination like two spades in Africa or the dark passion of Emile Griffith. Yes, you know how to pick your spots, Norman. I who have studied your moves think that your best instinct is judgment. It’s your secret punch. You knew how to stake out Kennedy and Goldwater, but on the whole you kept arm’s length from Nixon. Humphrey never earned you a dime.
Ali, the moon, scrappy broads, dirty walls, all meat to you, slugger. But
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