The Mailer Review/Volume 4, 2010/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead: Difference between revisions
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{{cite book| last = Breit| first = Harvey|author-mask=1| title = Talk With Mr. Hemingway| contribution = Interview| work = Ernest Hemingway: A Literary Reference| editor-first = Robert| editor-last = Trogdon| publisher = Carroll and Graf Publishers| location = New York| date = 1999| pages = 273–274| work = The New York Times Book Review| date = 1950-09-17| pages = 14}} | {{cite book| last = Breit| first = Harvey|author-mask=1| title = Talk With Mr. Hemingway| contribution = Interview| work = Ernest Hemingway: A Literary Reference| editor-first = Robert| editor-last = Trogdon| publisher = Carroll and Graf Publishers| location = New York| date = 1999| pages = 273–274| work = The New York Times Book Review| date = 1950-09-17| pages = 14}} | ||
* {{cite book |last= Hynes|first= Samuel|date= 1997|title= |url= |location= New York |publisher= Penguin Books|pages= |ref=harv }} | |||
* {{cite book |last= Keene |first= Jennifer D.|date= 2001|title= Doughboys, and the great War, and the Remaking of America|url= |location= Baltimore|publisher= John Hopkins UP|pages= |ref=harv }} | |||
* {{Cite journal| last = Kinder| first = John M.| title = The Good War’s ‘Raw Chunks’: Norman Mailer’s The Naked and the Dead and James Gould Cozzens’s Guard of Honor| journal = Midwest Quarterly| volume = 46| issue = 2| year = 2005|pages = 187–202}} | |||