The Mailer Review/Volume 4, 2010/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead: Difference between revisions
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<blockquote> there are the inflicted sufferings of war—the wounds, the fears, the hardships . . . there is something else that is done to men by wars: no man goes through a war without being changed by it . . . and though that process will not be explicit in every narrative—not all men are self-conscious or reflective enough for that—it will be there. {{sfn|Hynes|1997|p=3}}</blockquote> | <blockquote> there are the inflicted sufferings of war—the wounds, the fears, the hardships . . . there is something else that is done to men by wars: no man goes through a war without being changed by it . . . and though that process will not be explicit in every narrative—not all men are self-conscious or reflective enough for that—it will be there. {{sfn|Hynes|1997|p=3}}</blockquote> | ||
ARIT utilizes a narrative calculus as Hemingway shows how the experience of war and trauma affect the structure of the narrative as war similarly affects the participant. NAD engages a narrative calculus as Mailer, though the experience of war and trauma, engages and manipulates time, space, and | |||
{{pg| 320 | 321}} | |||