The Mailer Review/Volume 5, 2011/From Here to Eternity and The Naked and the Dead: Premiere to Eternity?: Difference between revisions
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==Two Types of Fiction== | ==Two Types of Fiction== | ||
===''From Here to Eternity''=== | ===''From Here to Eternity''=== | ||
In the classical taxonomic terms of Northrop Frye, From Here to Eternity is very much what Frye means by | In the classical taxonomic terms of Northrop Frye, From Here to Eternity is very much what Frye means by a 'novel.' Its characters do indeed wear “their personae or social masks”.{{sfn|Frye|1950|p=584}} Robert E. Lee Prewitt is very much a Private First Class, Milton Anthony Warden a Sergeant, and Ms.Karen Holmes a housewife. (They are vivid and memorable, yet seldom capitalize much on eccentrics as Mark such well-remembered Dickens characters as ''David Copperfield’s'' Mr. Macawber or ''Martin Chuzzlewit’s'' Seth Pecksniff.) The book’s stable societal framework is the U.S. Army just preceding World War II. Right at ''Eternity’s'' outset, we are given the novelistic focus on a character in a social context: | ||
<blockquote>When he finished packing, he walked out onto the third-floor porch of the barracks, brushing the dust from his hands. He was a very neat and deceptively slim young man in summer khakis that were still fresh early in the morning. | <blockquote>When he finished packing, he walked out onto the third-floor porch of the barracks, brushing the dust from his hands. He was a very neat and deceptively slim young man in summer khakis that were still fresh early in the morning. | ||
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“You’ll re-enlist,” Prew said.</blockquote> | “You’ll re-enlist,” Prew said.</blockquote> | ||
{{pg|320|321}} | {{pg|320|321}} | ||
<blockquote>“I’ll re-enlist,” Maggio said chanting the old bugle call | <blockquote>“I’ll re-enlist,” Maggio said chanting the old bugle call parody, “in a pig’s asshole. If anybody should of had that rating, man, you should of had it. You’re the best soljer in this outfit for my dough. By a hunert million miles.”{{sfn|Jones|1951|p=127}}</blockquote> | ||
Dramatic conflict arises with great naturalness and force from the well- etched milieu: | Dramatic conflict arises with great naturalness and force from the well- etched milieu: | ||