The Mailer Review/Volume 2, 2008/A New Politics of Form in Harlot's Ghost: Difference between revisions

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Espionage is the art of metaphor. Representation allows transformation, the alteration of “appearances” and signifiers creating powerful new meanings. This is what agents learn in their CIA schooling, according to Mailer. They don’t just master symbols, metaphors, codes, and figures of speech; they also master influence over others. This is Harlot’s specialty, what he trains agents in, and he stresses that influencing individuals through the art of espionage is linked with the struggle to influence history. This is made particularly clear when “counter-espionage,” or developing double agents, is taught by Harlot and practiced by Hubbard in Uruguay. Hubbard describes feeling a loyalty to his “creation” Chevi Fuertes, a leftist won over to the CIA who eventually defects to Cuba after the [[w:Bay of Pigs Invasion|Bay of Pigs]] fails to create effective characters or characters misunderstood by critics. Through these and other episodes in the CIA, we see that Hubbard’s grand ambitions parallel Mailer’s, and interestingly, generally lead to failure.
Espionage is the art of metaphor. Representation allows transformation, the alteration of “appearances” and signifiers creating powerful new meanings. This is what agents learn in their CIA schooling, according to Mailer. They don’t just master symbols, metaphors, codes, and figures of speech; they also master influence over others. This is Harlot’s specialty, what he trains agents in, and he stresses that influencing individuals through the art of espionage is linked with the struggle to influence history. This is made particularly clear when “counter-espionage,” or developing double agents, is taught by Harlot and practiced by Hubbard in Uruguay. Hubbard describes feeling a loyalty to his “creation” Chevi Fuertes, a leftist won over to the CIA who eventually defects to Cuba after the [[w:Bay of Pigs Invasion|Bay of Pigs]] fails to create effective characters or characters misunderstood by critics. Through these and other episodes in the CIA, we see that Hubbard’s grand ambitions parallel Mailer’s, and interestingly, generally lead to failure.


It is not just Harry that can be seen as embodying elements of Mailer’s worldview. Kittredge, a woman agent married to both Harry and Harlot at different times in the novel, is a career psychologist and theorist for the CIA, and she also articulates a theory of personality that shares much in common with Mailer’s views. (Mailer’s worldview is frequently given voice in almost all of his novels since ''[[An American Dream]]''.) Her explanations of human behavior are direct articulations of Mailer’s theories of the human personality, to the degree that her theories seems straight out of Mailer’s essays on [[w:Henry Miller|Henry Miller]], collected in the anthology ''[[Genius and Lust]]'', or even Mailer’s last collection of reflections, ''On God: An Uncommon Conversation''.{{efn|See {{harvtxt|Mailer|1976}}.}} She articulates, in great detail, Mailer’s oft-stated theory of the dual nature of the human personality and the concept of the “Alpha and Omega” of the psyche; the two-sided, male-female, divided nature of the human personality. She explains that when one acts in a destructive or ineffective manner, this should be understood as the inability to reconcile two sides of an individual’s personality. Although she has had a successful career as the CIA’s in-house psychologist and philosopher, she has a problem: her career is failing. In fact, it is an interesting fact that despite her championing of Mailer’s views, she is in despair. It is a sign of Mailer’s own self-critical ability to question his own perspective that characters fail and flounder despite articulating views close to Mailer’s. She writes:
It is not just Harry that can be seen as embodying elements of Mailer’s worldview. Kittredge, a woman agent married to both Harry and Harlot at different times in the novel, is a career psychologist and theorist for the CIA, and she also articulates a theory of personality that shares much in common with Mailer’s views. (Mailer’s worldview is frequently given voice in almost all of his novels since ''[[An American Dream]]''.) Her explanations of human behavior are direct articulations of Mailer’s theories of the human personality, to the degree that her theories seems straight out of Mailer’s essays on [[w:Henry Miller|Henry Miller]], collected in the anthology ''[[Genius and Lust]]'', or even Mailer’s last collection of reflections, ''[[On God|On God: An Uncommon Conversation]]''.{{efn|See {{harvtxt|Mailer|1976}}.}} She articulates, in great detail, Mailer’s oft-stated theory of the dual nature of the human personality and the concept of the “Alpha and Omega” of the psyche; the two-sided, male-female, divided nature of the human personality. She explains that when one acts in a destructive or ineffective manner, this should be understood as the inability to reconcile two sides of an individual’s personality. Although she has had a successful career as the CIA’s in-house psychologist and philosopher, she has a problem: her career is failing. In fact, it is an interesting fact that despite her championing of Mailer’s views, she is in despair. It is a sign of Mailer’s own self-critical ability to question his own perspective that characters fail and flounder despite articulating views close to Mailer’s. She writes:


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