User:JBawlson/sandbox: Difference between revisions
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Their dynamic becomes a war—not just of people, but of philosophies. It’s not just man versus woman. It’s self versus system. | Their dynamic becomes a war—not just of people, but of philosophies. It’s not just man versus woman. It’s self versus system. | ||
In a surreal twist, Rojack compares Deborah’s rage to that of a charging bull. Their confrontation becomes a psychological bullfight. He becomes the matador. She, the threat to his very selfhood. | |||
The scene mimics Hemingway’s bullring: raw, brutal, spiritual. When Rojack “kills” Deborah, it’s not just murder—it’s a symbolic break from illusion. His liberation is disturbing, but intentional. | |||