User:Chelsey.brantley/sandbox: Difference between revisions
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one could not accuse Mailer of being an outright defender of the counterculture. | one could not accuse Mailer of being an outright defender of the counterculture. | ||
But through his intimate sketches of the activists and his own experience | But through his intimate sketches of the activists and his own experience | ||
as a fellow marcher,we do see images of greatness, of self-sacrifice and {{pg|484|485}} | as a fellow marcher, we do see images of greatness, of self-sacrifice and {{pg|484|485}} | ||
patriotism. Most important, Mailer, as narrator/protagonist, gives Americans | patriotism. Most important, Mailer, as narrator/protagonist, gives Americans | ||
outside the march a sense of what it was to be a demonstrator. | outside the march a sense of what it was to be a demonstrator. | ||
One of | One of Mailer’s main tasks as an author is to acquaint his readers with the | ||
character of the marchers themselves, so a primary concern of ''Armies'' is media bias as it affected the American public’s sentiments about the acts of resistance happening all around them. But the mainstream press was hawkish: | character of the marchers themselves, so a primary concern of ''Armies'' is media bias as it affected the American public’s sentiments about the acts of resistance happening all around them. But the mainstream press was hawkish: | ||
before the Tet Offensive in January of 1968, “not a single major newspaper | before the Tet Offensive in January of 1968, “not a single major newspaper | ||
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the unfair coverage that the press gave to the actions of the demonstrators | the unfair coverage that the press gave to the actions of the demonstrators | ||
and how "[e]mphasis was put on every rock thrown, and a count was made of the windows broken. (There were, however, only a few.) But there was no | and how "[e]mphasis was put on every rock thrown, and a count was made of the windows broken. (There were, however, only a few.) But there was no | ||
specific mention of The Wedge [a brutal crowd control technique, which resulted | |||
in beating of the marchers]. Indeed, stories [of police brutality] | in beating of the marchers]. Indeed, stories [of police brutality] | ||
quickly disappeared."{{sfn|Mailer|1988|p=313-14}} This becomes evident as Mailer distinguishes | quickly disappeared."{{sfn|Mailer|1988|p=313-14}} This becomes evident as Mailer distinguishes | ||