User:Chelsey.brantley/sandbox: Difference between revisions
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But through his intimate sketches of the activists and his own experience | But through his intimate sketches of the activists and his own experience | ||
as a fellow marcher,we do see images of greatness, of self-sacrifice and {{pg|484|485}} | as a fellow marcher,we do see images of greatness, of self-sacrifice and {{pg|484|485}} | ||
patriotism. Most important, Mailer, as narrator/protagonist, gives Americans | |||
outside the march a sense of what it was to be a demonstrator. | |||
One of Mailer’smain tasks as an author is to acquaint his readers with the | |||
character of the marchers themselves, so a primary concern of ''Armies'' is media bias as it affected the American public’s sentiments about the acts of resistance happening all around them. But the mainstream press was hawkish: | |||
before the Tet Offensive in January of 1968, “not a single major newspaper | |||
or television network call[ed] for the end to the war."{{sfn|Streitmatter|2001|p=197}} In fact, the mainstream media plainly opposed the anti-war effort “in the heady days early in the war when American correspondents doubled as government handmaidens, they openly condemned anti-war protesters as traitors."{{sfn|Streitmatter|1997|p=201}} This was the atmosphere in which | |||
Mailer attempted to tell a moving tale of the anti-war movement. | |||
===Citations=== | ===Citations=== | ||