Talk:The Mailer Review/Volume 5, 2011: Difference between revisions

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| Toback || [[The Mailer Review/Volume 5, 2011/Norman Mailer Today|Norman Mailer Today]] || [[User:Kamyers]] || {{cross}}
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| Rhodes || [[The Mailer Review/Volume 5, 2011/Reinventing a New Wheel: The Films of Norman Mailer|The Films of Norman Mailer]] || [[User:TPoole]] || {{cross}}
| Rhodes || [[The Mailer Review/Volume 5, 2011/Reinventing a New Wheel: The Films of Norman Mailer|The Films of Norman Mailer]] || [[User:TPoole]] || {{cross}}
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| Hicks || [[The Mailer Review/Volume 5, 2011/From Here to Eternity and The Naked and the Dead: Premiere to Eternity?|''From Here to Eternity'' and ''The Naked and the Dead'']] || [[User:THarrell]] || {{cross}}
| Hicks || [[The Mailer Review/Volume 5, 2011/From Here to Eternity and The Naked and the Dead: Premiere to Eternity?|''From Here to Eternity'' and ''The Naked and the Dead'']] || [[User:THarrell]] || {{cross}}
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| Mantzaris || [[The Mailer Review/Volume 5, 2011/Contradictory Syntheses: Norman Mailer’s Left Conservatism and the Problematic of “Totalitarianism”|Contradictory Syntheses]] || [[User:JKilchenmann]] || {{cross}}
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| Sermeus || [[The Mailer Review/Volume 5, 2011/Norman Mailer's Mythmaking in An American Dream and “The White Negro”|Norman Mailer's Mythmaking]] || [[User:Erhernandez]] || {{cross}}
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| Borkowski || [[The Mailer Review/Volume 5, 2011/A Tear Shed into a Cup of Sorrows|A Tear Shed into a Cup of Sorrows]] || [[User:Grlucas]] || {{yellow tick}}
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| Moreland || [[The Mailer Review/Volume 5, 2011/Hemingway and Women at the Front: Blowing Bridges in The Fifth Column, For Whom the Bell Tolls, and Other Works|Hemingway and Women at the Front]] || [[User:LogansPop22]] || {{cross}}
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| Yirinec || [[The Mailer Review/Volume 5, 2011/The Conception of Irreversibility: Hannah Arendt and Hemingway’s “Hills Like White Elephants”|The Conception of Irreversibility]] || [[User:JHadaway]] || {{cross}}
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| Toback || [[The Mailer Review/Volume 5, 2011/Norman Mailer Today|Norman Mailer Today]] || [[User:Kamyers]] || {{cross}}
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