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Revision as of 17:09, 5 July 2020
| Volumes | Submissions | Subscriptions | Information | Volunteer |
 | |
| Editorial Staff | |
|---|---|
| Editor | Phillip Sipiora |
| Guest Editor | John Buffalo Mailer |
| Deputy Editor | Michael L. Shuman |
| Digital Editor, Webmaster | Gerald R. Lucas |
| Managing Editors | Shannon L. Zinck Jennifer Yirinec |
| Design Editor | James R. Miller |
| Associate Editors | Constance Holmes Dianne Donnelly Taylor Joy Mitchell |
| Interns | Ashley Jean Baptiste Roxanne Null Breonna Martinez |
| Editorial Board | |
| J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | |
Reflections
Tributes to Norris Church Mailer
- John Buffalo Mailer, Guest Editor
Tributes to Norris Church Mailer
Articles and Miscellany
- Michael Mailer
Overexposed: My First Taste of Filmmaking - Gary D. Rhodes
Reinventing a New Wheel: The Films of Norman Mailer - Sara Jo Cohen
Making Masculinity and Unmaking Jewishness: Norman Mailer’s Voice in Wild 90 and Beyond the Law - Taylor Joy Mitchell
Norman Mailer: Playboy Magazine Heavyweight - Tracy Dahlby
“The White Negro” Revisited: The Demise of the Indispensable Hipster - Raj Chandarlapaty
Through the Lens of the Beatniks: Norman Mailer and Modern American Man’s Quest for Self-Realization - Gerald R. Lucas
Norman Mailer and the Novel 2.0 - Mimi Reisel Gladstein
Piling On: Norman Mailer’s Utilization of Marilyn Monroe: “What is it about Marilyn Monroe that obsesses you so?” - Donald L. Kaufmann
Cluster Seeds and the Mailer Legacy - Lee Spinks
Situating Hemingway: Mailer, Style, Ethics - Fannie Peczenik
The Devil’s Party: Reading and Wreaking Vengeance in The Castle in the Forest - Alexander Hicks
From Here to Eternity and The Naked and the Dead: Premiere to Eternity? - Alexandros Mantzaris
Contradictory Syntheses: Norman Mailer’s Left Conservatism and the Problematic of “Totalitarianism” - Martjin Sermeus
Norman Mailer’s Mythmaking in An American Dream and “The White Negro” - Stephen Borkowski
A Tear Shed into a Cup of Sorrows - Kim Moreland
Hemingway and Women at the Front: Blowing Bridges in The Fifth Column, For Whom the Bell Tolls, and Other Works - Jennifer Yirinec
The Conception of Irreversibility: Hannah Arendt and Hemingway’s “Hills Like White Elephants”
Classic Interpretation
Book Reviews
- Norman Mailer’s Later Fictions
Andrew M. Gordon
Last of the Late Romantics - The Castle in the Forest
Christopher Busa
Imagining Evil: The Sardonic Narrator of Mailer’s Last Novel - Hemingway’s Second War: Bearing Witness to the Spanish Civil War
Lawrence R. Broer
Tolls of War: Mailerian Sub-Texts in For Whom the Bell Tolls
Creative Works
Bibliography
* * *
Support Project Mailer and the Norman Mailer Society
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