Willie Morris, October 21, 1963 - Revision history

JVbird at 17:35, 11 April 2019

2019-04-11T17:35:49Z

← Older revision		Revision as of 13:35, 11 April 2019
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	::::::::::::::::::::October 21, 1963		::::::::::::::::::::October 21, 1963

	Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of ''Harper's'' in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''[[The Armies of the Night]]'' (1968), ''[[Miami and the Siege of Chicago]]'' (1968) and ''[[The Prisoner of Sex]]'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[Pulitzer Prize]] as well.</ref>		Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of ''Harper's'' in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''[[The Armies of the Night]]'' (1968), ''[[Miami and the Siege of Chicago]]'' (1968) and ''[[The Prisoner of Sex]]'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>

	Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.		Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

JVbird at 17:34, 11 April 2019

2019-04-11T17:34:51Z

← Older revision		Revision as of 13:34, 11 April 2019
Line 5:		Line 5:
	::::::::::::::::::::October 21, 1963		::::::::::::::::::::October 21, 1963

	Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of ''~~[[w:Harper’s\|Harper’s]]~~'' in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''[[The Armies of the Night]]'' (1968), ''[[Miami and the Siege of Chicago]]'' (1968) and ''[[The Prisoner of Sex]]'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[~~w:Pulitzer Prize\|~~Pulitzer Prize]] as well.</ref>		Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of ''Harper's'' in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''[[The Armies of the Night]]'' (1968), ''[[Miami and the Siege of Chicago]]'' (1968) and ''[[The Prisoner of Sex]]'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[Pulitzer Prize]] as well.</ref>

	Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.		Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

Jules Carry: Added links and italics.

2019-04-11T14:34:31Z

Added links and italics.

← Older revision		Revision as of 10:34, 11 April 2019
Line 5:		Line 5:
	::::::::::::::::::::October 21, 1963		::::::::::::::::::::October 21, 1963

	Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of [[w:Harper’s\|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>		Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of ''[[w:Harper’s\|Harper’s]]'' in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''[[The Armies of the Night]]'' (1968), ''[[Miami and the Siege of Chicago]]'' (1968) and ''[[The Prisoner of Sex]]'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>

	Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.		Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

Jules Carry: Added links, nudged formatting.

2019-04-11T14:30:04Z

Added links, nudged formatting.

← Older revision		Revision as of 10:30, 11 April 2019
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	{{NMletter}}		{{NMletter}}
	{{Letterhead start\|styles = margin: 2em 2em 2em 2em}}		{{Letterhead start\|styles = margin: 2em 2em 2em 2em}}
	:::::::::::::::142 Columbia Heights		::::::::::::::::::::142 Columbia Heights
	:::::::::::::::Brooklyn 1, New York		::::::::::::::::::::Brooklyn 1, New York
	:::::::::::::::October 21, 1963		::::::::::::::::::::October 21, 1963

	Dear Willie,<ref> Mailer met Morris ~~(1934-1999)~~ in New York after Morris became editor of [[w:Harper’s\|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; Armies won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>		Dear Willie,<ref>Mailer met [[w:Willie Morris\|Morris]] in New York after Morris became editor of [[w:Harper’s\|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; ''Armies'' won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>

	Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.		Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

	:::::::::::::::Best<br/>		::::::::::::::::::::Best<br/>
	:::::::::::::::Norman Mailer		::::::::::::::::::::Norman Mailer

	{{Letterhead end}}		{{Letterhead end}}

JVbird: adding citation

2019-04-10T00:37:04Z

adding citation

← Older revision		Revision as of 20:37, 9 April 2019
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	:::::::::::::::October 21, 1963		:::::::::::::::October 21, 1963

	Dear Willie,<ref> Mailer met Morris (1934-1999) in New York after Morris became editor of [[w:Harper’s\|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; Armies won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.		Dear Willie,<ref> Mailer met Morris (1934-1999) in New York after Morris became editor of [[w:Harper’s\|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award\|National Book Award]]; Armies won it and a [[w:Pulitzer Prize\|Pulitzer Prize]] as well.</ref>

	Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.		Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

JVbird: Adding Willie Morris letter, October 21, 1963

2019-04-10T00:15:51Z

Adding Willie Morris letter, October 21, 1963

New page

{{NMletter}}
{{Letterhead start|styles = margin: 2em 2em 2em 2em}}
:::::::::::::::142 Columbia Heights
:::::::::::::::Brooklyn 1, New York
:::::::::::::::October 21, 1963

Dear Willie,<ref> Mailer met Morris (1934-1999) in New York after Morris became editor of [[w:Harper’s|Harper’s]] in 1963. Mailer’s letter gives a hint of the lifelong tension in his writing life between his profound desire to write novels and the financial need to write shorter pieces of nonfiction. He resolved the problem, to some extent, in the late 1960s and early 1970s, by writing long nonfiction narratives that are fictive; they read like novels. Three of these, ''The Armies of the Night'' (1968), ''Miami and the Siege of Chicago'' (1968) and ''The Prisoner of Sex'' (1971) appeared first in ''Harper’s''. All three were nominated for the [[w:National Book Award|National Book Award]]; Armies won it and a [[w:Pulitzer Prize|Pulitzer Prize]] as well.

Let me thank you for your letter, but writing articles has a bit of drudgery to it for me, and now I’m free, for a year at least, to work on a novel, so I think I’ll be keeping myself much to myself through this long winter. I’m glad you’re at ''Harper’s'' and let me wish you good luck in what you’re doing.

:::::::::::::::Best<br/>
:::::::::::::::Norman Mailer

{{Letterhead end}}

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===Notes===
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{{Aad-letters}}