The Mailer Review/Volume 3, 2009/Collecting Mailer - Revision history

Grlucas: Added and modified ref §s.

2021-06-28T14:16:39Z

Added and modified ref §s.

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	With that advice we’ll move on to the list of Mailer’s books. This list is one		With that advice we’ll move on to the list of Mailer’s books. This list is one
	in our series of Author Price Guides, which are really bibliographical checklists with estimated retail prices. The bulk of the bibliographical information furnished herein was provided by J. Michael Lennon, Norman Mailer’s archivist, authorized biographer and friend, and is used with his permission; he is referred to as “ref[erence] a” below. The printing quantities are estimates furnished by Mailer. We would also like to thank Thomas Fiske and Charles Michaud for their assistance.		in our series of Author Price Guides, which are really bibliographical checklists with estimated retail prices. The bulk of the bibliographical information furnished herein was provided by J. Michael {{harvtxt\|Lennon\|2000}}, Norman Mailer’s archivist, authorized biographer and friend, and is used with his permission; he is referred to as “ref[erence] a” below. The printing quantities are estimates furnished by Mailer. We would also like to thank Thomas Fiske and Charles Michaud for their assistance.

	In addition to the items listed below there are a number of publicity		In addition to the items listed below there are a number of publicity
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	\|}		\|}

	==Works Cited==		===Citations===
	{{refbegin~~\|40em~~\|indent=yes}}		{{Reflist}}

			===Works Cited===
			{{refbegin\|indent=yes}}
	* {{cite book \|last=Lennon \|first=J. Michael \|date=2000 \|chapter= \|title=Norman Mailer: Works and Days. \|url=\|location=Shavertown P.A \|publisher=Sligo Press \|pages= \|isbn= \|author-link= \|ref=harv }}		* {{cite book \|last=Lennon \|first=J. Michael \|date=2000 \|chapter= \|title=Norman Mailer: Works and Days. \|url=\|location=Shavertown P.A \|publisher=Sligo Press \|pages= \|isbn= \|author-link= \|ref=harv }}
	* {{cite book \|last=Newton \|first=A. Edward \|date=1928 \|chapter= \|title=This Book Collecting Game \|url=\|location=Boston M.A. \|publisher=Little, Brown and Co. \|pages= \|isbn= \|author-link= \|ref=harv }}		* {{cite book \|last=Newton \|first=A. Edward \|date=1928 \|chapter= \|title=This Book Collecting Game \|url=\|location=Boston M.A. \|publisher=Little, Brown and Co. \|pages= \|isbn= \|author-link= \|ref=harv }}

Jules Carry: Corrections; tweaked table.

2021-06-25T11:16:23Z

Corrections; tweaked table.

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RAshford at 04:44, 24 June 2021

2021-06-24T04:44:54Z

← Older revision		Revision as of 00:44, 24 June 2021
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	{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}}		{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}}
	{{MR10}}		{{MR10}}
	{{byline\|first=Allen \|last=Ahearn \|abstract=An examination of the dimensions, complications, and rewards of collecting works by Norman Mailer. \|url=https://~~prmlr~~.us/~~mr03ahe~~ }}		{{byline\|first=Allen \|last=Ahearn \|abstract=An examination of the dimensions, complications, and rewards of collecting works by Norman Mailer. \|url=https://projectmailer.net/pm/The_Mailer_Review/Volume_3,_2009/Collecting_Mailer }}

	{{dc\|dc=H\|e was condemned and praised by the critics}}, and always controversial. You either liked his take on the world and his fiction and essays, or you didn’t. It has been said that good art provokes strong feelings—positive or negative. Well, if that is the measure, I would say that Norman Mailer was		{{dc\|dc=H\|e was condemned and praised by the critics}}, and always controversial. You either liked his take on the world and his fiction and essays, or you didn’t. It has been said that good art provokes strong feelings—positive or negative. Well, if that is the measure, I would say that Norman Mailer was

RAshford at 04:43, 24 June 2021

2021-06-24T04:43:49Z

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	~~{{Working}}~~
	{{MR10}}		{{MR10}}
	{{byline\|first=Allen \|last=Ahearn \|abstract=An examination of the dimensions, complications, and rewards of collecting works by Norman Mailer. \|url=https://prmlr.us/mr03ahe }}		{{byline\|first=Allen \|last=Ahearn \|abstract=An examination of the dimensions, complications, and rewards of collecting works by Norman Mailer. \|url=https://prmlr.us/mr03ahe }}

RAshford at 04:42, 24 June 2021

2021-06-24T04:42:18Z

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RAshford at 04:50, 23 June 2021

2021-06-23T04:50:12Z

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RAshford at 05:54, 22 June 2021

2021-06-22T05:54:52Z

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Grlucas: Tweaked table formatting. Added row.

2021-06-21T11:38:16Z

Tweaked table formatting. Added row.

← Older revision		Revision as of 07:38, 21 June 2021
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	{\|		{\|
	\|-		\|- style="vertical-align: top;"
	\| 001a: \|\| THE FOUNDATION. Privately published, California, 1943–44. Mimeographed copies of the work which was then published as “A Calculus at Heaven” in ''Cross-Section: A Collection of American Writing'', edited by Edwin Seaver. New York: L. B. Fisher, 1944, and later reprinted in ''Advertisements for Myself''. \|\| NVA.		\| style="padding-right: 2em;" \| 001a: \|\| style="padding-bottom: 1em;" \| THE FOUNDATION. Privately published, California, 1943–44. Mimeographed copies of the work which was then published as “A Calculus at Heaven” in ''Cross-Section: A Collection of American Writing'', edited by Edwin Seaver. New York: L. B. Fisher, 1944, and later reprinted in ''Advertisements for Myself''. \|\| style="padding-left: 2em;" \| NVA.
	\|-		\|- style="vertical-align: top;"
	\| 002a: \|\| THE NAKED AND THE DEAD. Rinehart, New York, 1948. [5] 500 copies. (Malcom Bell 10/98.) Advance reading copy bound in red and black paperwraps with flaps as in final dustwrapper, but glued to the spine. \|\| $3,000.		\| style="padding-right: 2em;" \| 002a: \|\| style="padding-bottom: 1em;" \| THE NAKED AND THE DEAD. Rinehart, New York, 1948. [5] 500 copies. (Malcom Bell 10/98.) Advance reading copy bound in red and black paperwraps with flaps as in final dustwrapper, but glued to the spine. \|\| style="padding-left: 2em;" \| $3,000.
	\|-		\|- style="vertical-align: top;"
	\| 002b: \|\| THE NAKED AND THE DEAD. Rinehart, New York/ Toronto (1948). [5] 25,000 copies (of which possibly 10,000 copies were in the first state dustwrapper). Black boards with white lettering. First state dustwrapper has introductory blurb by Stanley Rinehart comparing Mailer favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the New Yorker'', ''the Philadelphia Inquirer'' and several other publications. (Malcom Bell 10/98) Both are priced $4.00. \|\|		\| style="padding-right: 2em;" \| 002b: \|\| THE NAKED AND THE DEAD. Rinehart, New York/ Toronto (1948). [5] 25,000 copies (of which possibly 10,000 copies were in the first state dustwrapper). Black boards with white lettering. First state dustwrapper has introductory blurb by Stanley Rinehart comparing Mailer favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the New Yorker'', ''the Philadelphia Inquirer'' and several other publications. (Malcom Bell 10/98) Both are priced $4.00. \|\|
	\|-		\|- style="vertical-align: top;"
	\| \|\| First-issue dustwrapper: \|\| $300/2,000.		\| \|\| First-issue dustwrapper: \|\| style="padding-left: 2em;" \| $300/2,000.
	\|-		\|- style="vertical-align: top;"
	\| \|\| Second-issue dustwrapper: \|\| $300/750.		\| \|\| style="padding-bottom: 1em;" \| Second-issue dustwrapper: \|\| style="padding-left: 2em;" \| $300/750.
			\|- style="vertical-align: top;"
			\| style="padding-right: 2em;" \| 002c: \|\| style="padding-bottom: 1em;" \| THE NAKED AND THE DEAD. Wingate, London, 1949. [2] 13 copies numbered I-XIII, out of 253 copies. Collector’s Book Club issue, using sheets of first English edition and issued simultaneously with it. In full wine leather, issued without dustwrapper. \|\| style="padding-left: 2em;" \| $1750.
	\|}		\|}

Grlucas: Added table.

2021-06-21T11:25:28Z

Added table.

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	{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}}		{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}}
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	* NVA indicates “no value assigned,” as we think it is rare or unobtainable		* NVA indicates “no value assigned,” as we think it is rare or unobtainable
	* [0] or [ ] indicates we are not sure if the item actually states first edition/		* [0] or [ ] indicates we are not sure if the item actually states first edition/printing as we’ve never had a copy
	printing as we’ve never had a copy		* [1] indicates the copyright page of the first printing states first printing/edition or First published . . .
	* [1] indicates the copyright page of the first printing states first printing/		* [2] indicates the book was a limited edition and this fact is stated in the book
	edition or First published . . .		* [3] indicates that the copyright page has a series of numbers beginning with “1”
	* [2] indicates the book was a limited edition and this fact is stated in the		* [4] indicates a Random House printing which had “First edition” on copyright page and the numbers “23 45 6...” (on the second printing they took the “First edition” slug off)
	book		* [5] indicates that the first printing has an “R” in a circle on the copyright page. This is how Rinehart identified their first editions. They took the “R” off on later printings but never changed the copyright page in any other way
	* [3] indicates that the copyright page has a series of numbers beginning
	with “1”
	* [4] indicates a Random House printing which had “First edition” on
	copyright page and the numbers “23 45 6...” (on the second printing
	they took the “First edition” slug off)
	* [5] indicates that the first printing has an “R” in a circle on the copyright
	page. This is how Rinehart identified their first editions. They took the
	“R” off on later printings but never changed the copyright page in any
	other way

	The prices listed below are estimated retail prices based on the copy being in		The prices listed below are estimated retail prices based on the copy being in
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	most subject to wear, as books are normally found to be in very good to fine		most subject to wear, as books are normally found to be in very good to fine
	condition.		condition.

			{\|
			\|-
			\| 001a: \|\| THE FOUNDATION. Privately published, California, 1943–44. Mimeographed copies of the work which was then published as “A Calculus at Heaven” in ''Cross-Section: A Collection of American Writing'', edited by Edwin Seaver. New York: L. B. Fisher, 1944, and later reprinted in ''Advertisements for Myself''. \|\| NVA.
			\|-
			\| 002a: \|\| THE NAKED AND THE DEAD. Rinehart, New York, 1948. [5] 500 copies. (Malcom Bell 10/98.) Advance reading copy bound in red and black paperwraps with flaps as in final dustwrapper, but glued to the spine. \|\| $3,000.
			\|-
			\| 002b: \|\| THE NAKED AND THE DEAD. Rinehart, New York/ Toronto (1948). [5] 25,000 copies (of which possibly 10,000 copies were in the first state dustwrapper). Black boards with white lettering. First state dustwrapper has introductory blurb by Stanley Rinehart comparing Mailer favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the New Yorker'', ''the Philadelphia Inquirer'' and several other publications. (Malcom Bell 10/98) Both are priced $4.00. \|\|
			\|-
			\| \|\| First-issue dustwrapper: \|\| $300/2,000.
			\|-
			\| \|\| Second-issue dustwrapper: \|\| $300/750.
			\|}

	. . .		. . .

RAshford at 20:43, 20 June 2021

2021-06-20T20:43:19Z

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