Norman Mailer: Works and Days/Bibliography/Criticism - Revision history

Grlucas: Fixed error.

2020-07-08T13:31:14Z

Fixed error.

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Grlucas: Display title.

2020-07-08T13:30:50Z

Display title.

← Older revision		Revision as of 09:30, 8 July 2020
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	{{~~DISPLAYTITLE:''Norman Mailer: Works and Days''/Bibliography/Criticism~~}}		{{Refbegin\|indent=yes}}
	{{Bib\|This=6}}		{{Bib\|This=6}}

Grlucas: Added display title.

2019-08-20T11:29:56Z

Added display title.

← Older revision		Revision as of 07:29, 20 August 2019
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			{{DISPLAYTITLE:''Norman Mailer: Works and Days''/Bibliography/Criticism}}
	{{Bib\|This=6}}		{{Bib\|This=6}}

Grlucas: Tweaks.

2019-08-20T11:26:51Z

Tweaks.

Grlucas: Updated tabs.

2019-08-05T20:12:28Z

Updated tabs.

← Older revision		Revision as of 16:12, 5 August 2019
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Grlucas: Grlucas moved page Criticism to Norman Mailer: Works and Days/Bibliography/Criticism

2019-08-05T20:04:09Z

Grlucas moved page Criticism to Norman Mailer: Works and Days/Bibliography/Criticism

← Older revision		Revision as of 16:04, 5 August 2019
(No difference)

Grlucas: Updated look.

2019-07-29T17:11:05Z

Updated look.

← Older revision		Revision as of 13:11, 29 July 2019
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	{{Bib\|This=5}}		{{Bib\|This=5}}

			{{Refbegin\|indent=yes}}
	===A===		===A===
	{{Shortcut\|WD:Crit}}		{{Shortcut\|WD:Crit}}
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	===B===		===B===
	~~{{WDside\|expanded=bibliographies}}~~
	* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.		* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.
	* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].		* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].
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	* {{Anchor\|Wilson (2008)}}{{cite book \|last=Wilson \|first=Andrew \|date=2008 \|title=Norman Mailer: An American Aesthetic \|url= \|location=Oxford, England \|publisher=Peter Lang \|page= \|isbn= \|author-link= }}		* {{Anchor\|Wilson (2008)}}{{cite book \|last=Wilson \|first=Andrew \|date=2008 \|title=Norman Mailer: An American Aesthetic \|url= \|location=Oxford, England \|publisher=Peter Lang \|page= \|isbn= \|author-link= }}
	* {{Anchor\|Zavarzadeh (1976)}}{{cite book \|last=Zavarzadeh \|first=Mas'ud \|date=1976 \|title=The Mythopoeic Reality: The Postwar American Nonfiction Novel \|url=https://archive.org/details/mythopoeicrealit0000zava \|location=Urbana \|publisher=University of Illinois Press \|pages=153–176 and passim \|isbn= \|author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality.		* {{Anchor\|Zavarzadeh (1976)}}{{cite book \|last=Zavarzadeh \|first=Mas'ud \|date=1976 \|title=The Mythopoeic Reality: The Postwar American Nonfiction Novel \|url=https://archive.org/details/mythopoeicrealit0000zava \|location=Urbana \|publisher=University of Illinois Press \|pages=153–176 and passim \|isbn= \|author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality.
			{{Refend}}

Grlucas: /* B */ Corrected typo.

2019-07-29T16:53:13Z

B: Corrected typo.

← Older revision		Revision as of 12:53, 29 July 2019
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	* {{Anchor\|Bloom (1986)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|date=1986 \|title=Norman Mailer: Modern Critical Views \|url= \|location=New York \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction.		* {{Anchor\|Bloom (1986)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|date=1986 \|title=Norman Mailer: Modern Critical Views \|url= \|location=New York \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction.
	* {{Anchor\|Bloom (2003)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|editor-mask=1 \|date=2003 \|title=Norman Mailer: Critical Views \|url= \|location=Philadelphia \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Thirteen reviews and essays focusing on Mailer’s later works.		* {{Anchor\|Bloom (2003)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|editor-mask=1 \|date=2003 \|title=Norman Mailer: Critical Views \|url= \|location=Philadelphia \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Thirteen reviews and essays focusing on Mailer’s later works.
	* {{Anchor\|Bozung (2017)}}{{cite book \|last=Bozung \|first=Justin \|date=2017 \|title=The Cinema of Norman Mailer: Film Is ~~Life~~ Death \|url= \|location=New York \|publisher=Bloomsbury Academic \|page= \|isbn= \|author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films.		* {{Anchor\|Bozung (2017)}}{{cite book \|last=Bozung \|first=Justin \|date=2017 \|title=The Cinema of Norman Mailer: Film Is Like Death \|url= \|location=New York \|publisher=Bloomsbury Academic \|page= \|isbn= \|author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films.
	* {{Anchor\|Booth (1988)}}{{cite book \|last=Booth \|first=Wayne \|date=1988 \|title=The Company We Keep: An Ethics of Fiction \|url=https://archive.org/details/companywekeepeth0000boot \|location=Berkeley and Los Angeles \|publisher=University of California Press \|page=207–210, 327–336 \|isbn= \|author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic.		* {{Anchor\|Booth (1988)}}{{cite book \|last=Booth \|first=Wayne \|date=1988 \|title=The Company We Keep: An Ethics of Fiction \|url=https://archive.org/details/companywekeepeth0000boot \|location=Berkeley and Los Angeles \|publisher=University of California Press \|page=207–210, 327–336 \|isbn= \|author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic.
	* {{Anchor\|Braudy (1991)}}{{cite book \|last=Braudy \|first=Leo \|date=1991 \|chapter=''Maidstone: A Mystery'' by Norman Mailer \|title=Native Informant: Essays on Film, Fiction and Popular Culture \|url=https://archive.org/details/nativeinformante00braurich \|location=New York \|publisher=Oxford \|pages=60–63, 145–151 \|isbn= \|author-link= }} Rpt: [[#Adams (1974)\|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy.		* {{Anchor\|Braudy (1991)}}{{cite book \|last=Braudy \|first=Leo \|date=1991 \|chapter=''Maidstone: A Mystery'' by Norman Mailer \|title=Native Informant: Essays on Film, Fiction and Popular Culture \|url=https://archive.org/details/nativeinformante00braurich \|location=New York \|publisher=Oxford \|pages=60–63, 145–151 \|isbn= \|author-link= }} Rpt: [[#Adams (1974)\|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy.

Grlucas: Fixed tabs.

2019-06-22T21:48:20Z

Fixed tabs.

← Older revision		Revision as of 17:48, 22 June 2019
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	{{Bib}}		{{Bib\|This=5}}

	===A===		===A===

Grlucas: Tweaked formatting.

2019-06-18T20:00:01Z

Tweaked formatting.

← Older revision		Revision as of 16:00, 18 June 2019
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	{{Shortcut\|WD:Crit}}		{{Shortcut\|WD:Crit}}
	* {{Anchor\|Adams (1976)}}{{cite book \|last=Adams \|first=Laura \|date=1976 \|title=Existential Battles: The Growth of Norman Mailer \|url=https://archive.org/details/existentialbattl0000adam \|location=Athens \|publisher=Ohio University Press \|page= \|author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities.		* {{Anchor\|Adams (1976)}}{{cite book \|last=Adams \|first=Laura \|date=1976 \|title=Existential Battles: The Growth of Norman Mailer \|url=https://archive.org/details/existentialbattl0000adam \|location=Athens \|publisher=Ohio University Press \|page= \|author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities.
	~~{{WDside}}~~
	* {{Anchor\|Adams (1974)}}{{cite book \|editor-last=Adams \|editor-first=Laura \|editor-mask=1 \|date=1974 \|title=Will the Real Norman Mailer Please Stand Up \|url=https://archive.org/details/willrealnormanma00adam \|location=Port Washington, NY \|publisher=Kennikat Press \|page= \|isbn= \|author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction.		* {{Anchor\|Adams (1974)}}{{cite book \|editor-last=Adams \|editor-first=Laura \|editor-mask=1 \|date=1974 \|title=Will the Real Norman Mailer Please Stand Up \|url=https://archive.org/details/willrealnormanma00adam \|location=Port Washington, NY \|publisher=Kennikat Press \|page= \|isbn= \|author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction.
	* {{Anchor\|Aldridge (1992)}}{{cite book \|last=Aldridge \|first=John W. \|date=1992 \|title=Classics and Contemporaries \|url= \|location=Columbia \|publisher=University of Missouri Press \|pages=54–58 \|isbn= \|author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]).		* {{Anchor\|Aldridge (1992)}}{{cite book \|last=Aldridge \|first=John W. \|date=1992 \|title=Classics and Contemporaries \|url= \|location=Columbia \|publisher=University of Missouri Press \|pages=54–58 \|isbn= \|author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]).
Line 15:		Line 14:

	===B===		===B===
			{{WDside\|expanded=bibliographies}}
	* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.		* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.
	* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].		* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].

← Older revision		Revision as of 13:11, 29 July 2019
Line 1:		Line 1:
	{{Bib\|This=5}}		{{Bib\|This=5}}

			{{Refbegin\|indent=yes}}
	===A===		===A===
	{{Shortcut\|WD:Crit}}		{{Shortcut\|WD:Crit}}
Line 14:		Line 15:

	===B===		===B===
	~~{{WDside\|expanded=bibliographies}}~~
	* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.		* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.
	* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].		* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].
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	* {{Anchor\|Wilson (2008)}}{{cite book \|last=Wilson \|first=Andrew \|date=2008 \|title=Norman Mailer: An American Aesthetic \|url= \|location=Oxford, England \|publisher=Peter Lang \|page= \|isbn= \|author-link= }}		* {{Anchor\|Wilson (2008)}}{{cite book \|last=Wilson \|first=Andrew \|date=2008 \|title=Norman Mailer: An American Aesthetic \|url= \|location=Oxford, England \|publisher=Peter Lang \|page= \|isbn= \|author-link= }}
	* {{Anchor\|Zavarzadeh (1976)}}{{cite book \|last=Zavarzadeh \|first=Mas'ud \|date=1976 \|title=The Mythopoeic Reality: The Postwar American Nonfiction Novel \|url=https://archive.org/details/mythopoeicrealit0000zava \|location=Urbana \|publisher=University of Illinois Press \|pages=153–176 and passim \|isbn= \|author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality.		* {{Anchor\|Zavarzadeh (1976)}}{{cite book \|last=Zavarzadeh \|first=Mas'ud \|date=1976 \|title=The Mythopoeic Reality: The Postwar American Nonfiction Novel \|url=https://archive.org/details/mythopoeicrealit0000zava \|location=Urbana \|publisher=University of Illinois Press \|pages=153–176 and passim \|isbn= \|author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality.
			{{Refend}}

← Older revision		Revision as of 12:53, 29 July 2019
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	* {{Anchor\|Bloom (1986)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|date=1986 \|title=Norman Mailer: Modern Critical Views \|url= \|location=New York \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction.		* {{Anchor\|Bloom (1986)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|date=1986 \|title=Norman Mailer: Modern Critical Views \|url= \|location=New York \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction.
	* {{Anchor\|Bloom (2003)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|editor-mask=1 \|date=2003 \|title=Norman Mailer: Critical Views \|url= \|location=Philadelphia \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Thirteen reviews and essays focusing on Mailer’s later works.		* {{Anchor\|Bloom (2003)}}{{cite book \|editor-last=Bloom \|editor-first=Harold \|editor-mask=1 \|date=2003 \|title=Norman Mailer: Critical Views \|url= \|location=Philadelphia \|publisher=Chelsea House \|page= \|isbn= \|author-link= }} Thirteen reviews and essays focusing on Mailer’s later works.
	* {{Anchor\|Bozung (2017)}}{{cite book \|last=Bozung \|first=Justin \|date=2017 \|title=The Cinema of Norman Mailer: Film Is ~~Life~~ Death \|url= \|location=New York \|publisher=Bloomsbury Academic \|page= \|isbn= \|author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films.		* {{Anchor\|Bozung (2017)}}{{cite book \|last=Bozung \|first=Justin \|date=2017 \|title=The Cinema of Norman Mailer: Film Is Like Death \|url= \|location=New York \|publisher=Bloomsbury Academic \|page= \|isbn= \|author-link=Justin Bozung }} A collection of mixed contributions: essays and memoirs from critics, collaborators, and Mailer himself ([[67.21]] and [[71.25]]), some reprinted, but mostly original texts including many stills from Mailer’s films.
	* {{Anchor\|Booth (1988)}}{{cite book \|last=Booth \|first=Wayne \|date=1988 \|title=The Company We Keep: An Ethics of Fiction \|url=https://archive.org/details/companywekeepeth0000boot \|location=Berkeley and Los Angeles \|publisher=University of California Press \|page=207–210, 327–336 \|isbn= \|author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic.		* {{Anchor\|Booth (1988)}}{{cite book \|last=Booth \|first=Wayne \|date=1988 \|title=The Company We Keep: An Ethics of Fiction \|url=https://archive.org/details/companywekeepeth0000boot \|location=Berkeley and Los Angeles \|publisher=University of California Press \|page=207–210, 327–336 \|isbn= \|author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic.
	* {{Anchor\|Braudy (1991)}}{{cite book \|last=Braudy \|first=Leo \|date=1991 \|chapter=''Maidstone: A Mystery'' by Norman Mailer \|title=Native Informant: Essays on Film, Fiction and Popular Culture \|url=https://archive.org/details/nativeinformante00braurich \|location=New York \|publisher=Oxford \|pages=60–63, 145–151 \|isbn= \|author-link= }} Rpt: [[#Adams (1974)\|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy.		* {{Anchor\|Braudy (1991)}}{{cite book \|last=Braudy \|first=Leo \|date=1991 \|chapter=''Maidstone: A Mystery'' by Norman Mailer \|title=Native Informant: Essays on Film, Fiction and Popular Culture \|url=https://archive.org/details/nativeinformante00braurich \|location=New York \|publisher=Oxford \|pages=60–63, 145–151 \|isbn= \|author-link= }} Rpt: [[#Adams (1974)\|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy.

← Older revision		Revision as of 16:00, 18 June 2019
Line 4:		Line 4:
	{{Shortcut\|WD:Crit}}		{{Shortcut\|WD:Crit}}
	* {{Anchor\|Adams (1976)}}{{cite book \|last=Adams \|first=Laura \|date=1976 \|title=Existential Battles: The Growth of Norman Mailer \|url=https://archive.org/details/existentialbattl0000adam \|location=Athens \|publisher=Ohio University Press \|page= \|author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities.		* {{Anchor\|Adams (1976)}}{{cite book \|last=Adams \|first=Laura \|date=1976 \|title=Existential Battles: The Growth of Norman Mailer \|url=https://archive.org/details/existentialbattl0000adam \|location=Athens \|publisher=Ohio University Press \|page= \|author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities.
	~~{{WDside}}~~
	* {{Anchor\|Adams (1974)}}{{cite book \|editor-last=Adams \|editor-first=Laura \|editor-mask=1 \|date=1974 \|title=Will the Real Norman Mailer Please Stand Up \|url=https://archive.org/details/willrealnormanma00adam \|location=Port Washington, NY \|publisher=Kennikat Press \|page= \|isbn= \|author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction.		* {{Anchor\|Adams (1974)}}{{cite book \|editor-last=Adams \|editor-first=Laura \|editor-mask=1 \|date=1974 \|title=Will the Real Norman Mailer Please Stand Up \|url=https://archive.org/details/willrealnormanma00adam \|location=Port Washington, NY \|publisher=Kennikat Press \|page= \|isbn= \|author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction.
	* {{Anchor\|Aldridge (1992)}}{{cite book \|last=Aldridge \|first=John W. \|date=1992 \|title=Classics and Contemporaries \|url= \|location=Columbia \|publisher=University of Missouri Press \|pages=54–58 \|isbn= \|author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]).		* {{Anchor\|Aldridge (1992)}}{{cite book \|last=Aldridge \|first=John W. \|date=1992 \|title=Classics and Contemporaries \|url= \|location=Columbia \|publisher=University of Missouri Press \|pages=54–58 \|isbn= \|author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]).
Line 15:		Line 14:

	===B===		===B===
			{{WDside\|expanded=bibliographies}}
	* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.		* {{Anchor\|Bailey (1979)}}{{cite book \|last=Bailey \|first=Jennifer \|date=1979 \|title=Norman Mailer: Quick-Change Artist \|url=https://archive.org/details/normanmailerquic0000bail \|location=New York \|publisher=Harper and Row \|page= \|isbn= \|author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work.
	* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].		* {{Anchor\|Balbert (1990)}}{{cite journal \|last1=Balbert \|first1=Peter \|date=1990 \|title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk \|url= \|journal=Studies in the Novel \|volume=22 \|issue=spring \|pages=67–81 \|doi= \|access-date= }} Best study of Lawrence’s influence. See [[90.2]].

← Older revision		Revision as of 07:26, 20 August 2019
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	* {{Anchor\|Busch (1986)}}{{cite book \|last=Busch \|first=Frederick \|date=1986 \|chapter=The Whale as Shaggy Dog \|title=When People Publish: Essays on Writers and Writing \|url= \|location=Iowa City \|publisher=Iowa University Press \|pages=65–82 \|isbn= \|author-link= }} Argues persuasively for the influence of ''Moby-Dick'' on “The Man Who Studied Yoga” ([[56.25]]). See [[51.2]].		* {{Anchor\|Busch (1986)}}{{cite book \|last=Busch \|first=Frederick \|date=1986 \|chapter=The Whale as Shaggy Dog \|title=When People Publish: Essays on Writers and Writing \|url= \|location=Iowa City \|publisher=Iowa University Press \|pages=65–82 \|isbn= \|author-link= }} Argues persuasively for the influence of ''Moby-Dick'' on “The Man Who Studied Yoga” ([[56.25]]). See [[51.2]].

	===~~C—F~~===		===C–G===
	* {{Anchor\|Cappell (2016)}}{{cite journal \|last1=Cappell \|first1=Ezra \|date=2016 \|title=Hemingway’s Jewish Progeny \|url= \|journal=Mailer Review \|volume=10 \|issue=1 \|pages=208–228 \|doi= \|access-date= }}		* {{Anchor\|Cappell (2016)}}{{cite journal \|last1=Cappell \|first1=Ezra \|date=2016 \|title=Hemingway’s Jewish Progeny \|url= \|journal=Mailer Review \|volume=10 \|issue=1 \|pages=208–228 \|doi= \|access-date= }}
	* {{Anchor\|Capote (1985)}}{{cite book \|last=Capote \|first=Truman \|date=1985 \|title=Conversations with Capote \|url=https://archive.org/details/conversationswit00grob \|editor-last=Grobel \|editor-first=Lawrence \|location=New York \|publisher=New American Library \|pages=112–116, passim \|isbn= \|author-link= }} Capote criticizes ''The Executioner’s Song'' ([[79.14]]).		* {{Anchor\|Capote (1985)}}{{cite book \|last=Capote \|first=Truman \|date=1985 \|title=Conversations with Capote \|url=https://archive.org/details/conversationswit00grob \|editor-last=Grobel \|editor-first=Lawrence \|location=New York \|publisher=New American Library \|pages=112–116, passim \|isbn= \|author-link= }} Capote criticizes ''The Executioner’s Song'' ([[79.14]]).

	* {{Anchor\|Foster (1968)}}{{cite book \|last=Foster \|first=Richard Jackson \|date=1968 \|title=Norman Mailer \|url=https://archive.org/details/normanmailer00fost \|location=Minneapolis \|publisher=U of Minnesota P \|volume=73 \|series=University of Minnesota Pamphlets on American Writers \|ref=harv}} Rpt: [[#Lucid (1971)\|Lucid (1971)]]; partial in [[#Bloom (1986)\|Bloom (1986)]]. This monograph, one of the first extended treatments of Mailer’s work, is still one of the best. Excellent on Mailer’s urgent, “forcing style.”		* {{Anchor\|Foster (1968)}}{{cite book \|last=Foster \|first=Richard Jackson \|date=1968 \|title=Norman Mailer \|url=https://archive.org/details/normanmailer00fost \|location=Minneapolis \|publisher=U of Minnesota P \|volume=73 \|series=University of Minnesota Pamphlets on American Writers \|ref=harv}} Rpt: [[#Lucid (1971)\|Lucid (1971)]]; partial in [[#Bloom (1986)\|Bloom (1986)]]. This monograph, one of the first extended treatments of Mailer’s work, is still one of the best. Excellent on Mailer’s urgent, “forcing style.”

	~~===G===~~

	* {{Anchor\|Glenday (1995)}}{{cite book \|last=Glenday \|first=Michael \|date=1995 \|title=Norman Mailer \|url= \|location=London \|publisher=Macmillan \|author-link= \|ref=harv}} Examines Mailer’s novels in a socio-political context. Contains one of the finest discussions of ''Why Are We in Vietnam'' ([[67.15]]), which he deftly relates to the issues of the day.		* {{Anchor\|Glenday (1995)}}{{cite book \|last=Glenday \|first=Michael \|date=1995 \|title=Norman Mailer \|url= \|location=London \|publisher=Macmillan \|author-link= \|ref=harv}} Examines Mailer’s novels in a socio-political context. Contains one of the finest discussions of ''Why Are We in Vietnam'' ([[67.15]]), which he deftly relates to the issues of the day.
	* {{Anchor\|Gutman (1975)}}{{cite book \|last=Gutman \|first=Stanley T. \|date=1975 \|title=Mankind in Barbary: The Individual and Society in the Novels of Norman Mailer \|url=https://archive.org/details/mankindinbarbary0000gutm \|location=Hanover, NH \|publisher=The University Press of New England \|author-link= \|ref=harv }}		* {{Anchor\|Gutman (1975)}}{{cite book \|last=Gutman \|first=Stanley T. \|date=1975 \|title=Mankind in Barbary: The Individual and Society in the Novels of Norman Mailer \|url=https://archive.org/details/mankindinbarbary0000gutm \|location=Hanover, NH \|publisher=The University Press of New England \|author-link= \|ref=harv }}
Line 106:		Line 102:
	* {{Anchor\|Muste (1971)}}{{cite journal \|last=Muste \|first=John M. \|date=1971 \|title=Norman Mailer and John Dos Passos: The Question of Influence \|url= \|journal=Modern Fiction Studies \|volume=17 \|issue=autumn \|pages=361–374 \|access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]).		* {{Anchor\|Muste (1971)}}{{cite journal \|last=Muste \|first=John M. \|date=1971 \|title=Norman Mailer and John Dos Passos: The Question of Influence \|url= \|journal=Modern Fiction Studies \|volume=17 \|issue=autumn \|pages=361–374 \|access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]).

	===N===		===N–O===
	* {{Anchor\|Newlove (1969)}}{{cite magazine \|last=Newlove \|first=Donald \|date=1969 \|title=Dinner at the Lowells \|url=https://classic.esquire.com/article/1969/9/1/dinner-at-the-lowells \|url-access=subscription \|magazine=Esquire \|pages=128–129, 168, 170–178, 180, 184 \|publisher= \|access-date=2019-03-26 }} Lowell comments on his portrait in ''The Armies of the Night'' ([[68.8]]).		* {{Anchor\|Newlove (1969)}}{{cite magazine \|last=Newlove \|first=Donald \|date=1969 \|title=Dinner at the Lowells \|url=https://classic.esquire.com/article/1969/9/1/dinner-at-the-lowells \|url-access=subscription \|magazine=Esquire \|pages=128–129, 168, 170–178, 180, 184 \|publisher= \|access-date=2019-03-26 }} Lowell comments on his portrait in ''The Armies of the Night'' ([[68.8]]).
	* {{cite journal \|last= \|first= \|date=1973 \|title=Norman Mailer Issue \|url= \|journal=New Orleans Review \|volume=3 \|issue=3 \|pages= \|access-date= }} Contains three essays and an interview by Matthew Grace and Steve Roday. See [[73.14]].		* {{cite journal \|last= \|first= \|date=1973 \|title=Norman Mailer Issue \|url= \|journal=New Orleans Review \|volume=3 \|issue=3 \|pages= \|access-date= }} Contains three essays and an interview by Matthew Grace and Steve Roday. See [[73.14]].

	~~===O===~~
	* {{Anchor\|Oates (1974)}}{{cite book \|last=Oates \|first=Joyce Carol \|date=1974 \|chapter=[[The Teleology of the Unconscious: The Art of Norman Mailer]] \|title=New Heaven, New Earth: The Visionary Experience in Literature \|url=https://archive.org/details/newheavenneweart00oate \|location=New York \|publisher=Vanguard Press \|pages=170–192 \|isbn= \|author-link=w:Joyce Carol Oates }} Discussion of Mailer’s dualisms in ''Why Are We In Vietnam?'' ([[67.15]]) and ''Of a Fire on the Moon'' ([[71.1]]) by a novelist who “disagree[s] with nearly every one of Mailer’s stated or implied ideas.”		* {{Anchor\|Oates (1974)}}{{cite book \|last=Oates \|first=Joyce Carol \|date=1974 \|chapter=[[The Teleology of the Unconscious: The Art of Norman Mailer]] \|title=New Heaven, New Earth: The Visionary Experience in Literature \|url=https://archive.org/details/newheavenneweart00oate \|location=New York \|publisher=Vanguard Press \|pages=170–192 \|isbn= \|author-link=w:Joyce Carol Oates }} Discussion of Mailer’s dualisms in ''Why Are We In Vietnam?'' ([[67.15]]) and ''Of a Fire on the Moon'' ([[71.1]]) by a novelist who “disagree[s] with nearly every one of Mailer’s stated or implied ideas.”

	* {{Anchor\|Olster (1989)}}{{cite book \|last=Olster \|first=Stacey \|date=1989 \|chapter=The Transition to Post-Modernism: Norman Mailer \|title=Reminiscence and Re-creation in Contemporary American Fiction \|url=https://archive.org/details/reminiscencerecr0000olst \|location=Cambridge \|publisher=University of Cambridge Press \|pages=36–71 \|isbn= \|author-link= }} Mailer is seen as a transitional figure between modernism and postmodernism; focus is on his writings of the 1960s.		* {{Anchor\|Olster (1989)}}{{cite book \|last=Olster \|first=Stacey \|date=1989 \|chapter=The Transition to Post-Modernism: Norman Mailer \|title=Reminiscence and Re-creation in Contemporary American Fiction \|url=https://archive.org/details/reminiscencerecr0000olst \|location=Cambridge \|publisher=University of Cambridge Press \|pages=36–71 \|isbn= \|author-link= }} Mailer is seen as a transitional figure between modernism and postmodernism; focus is on his writings of the 1960s.
	* {{Anchor\|Ostriker (1972)}}{{cite magazine \|last=Ostriker \|first=Dane Proxpeals \|date=November 1972 \|title=Norman Mailer and the Mystery Woman or, The Rape of the C—k \|url=https://classic.esquire.com/article/1972/11/1/norman-mailer-and-the-mystery-woman \|url-access=subscription \|magazine=Esquire \|pages=122–125 \|publisher= \|access-date= }} Pseudonymous attack in rhymed couplets on Mailer as male chauvinist.		* {{Anchor\|Ostriker (1972)}}{{cite magazine \|last=Ostriker \|first=Dane Proxpeals \|date=November 1972 \|title=Norman Mailer and the Mystery Woman or, The Rape of the C—k \|url=https://classic.esquire.com/article/1972/11/1/norman-mailer-and-the-mystery-woman \|url-access=subscription \|magazine=Esquire \|pages=122–125 \|publisher= \|access-date= }} Pseudonymous attack in rhymed couplets on Mailer as male chauvinist.