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	<id>https://projectmailer.net/index.php?action=history&amp;feed=atom&amp;title=Mickey_Knox%2C_December_18%2C_1964</id>
	<title>Mickey Knox, December 18, 1964 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://projectmailer.net/index.php?action=history&amp;feed=atom&amp;title=Mickey_Knox%2C_December_18%2C_1964"/>
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	<updated>2026-07-22T03:14:01Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7211&amp;oldid=prev</id>
		<title>Dmcgonagill: edit Michael Mailer link</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7211&amp;oldid=prev"/>
		<updated>2019-04-15T16:15:10Z</updated>

		<summary type="html">&lt;p&gt;edit Michael Mailer link&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:15, 15 April 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, I don’t get it. Why don’t you get a babysitter? As I remember, labor in Spain, housemaids, babysitters, etc., is unbelievably inexpensive. Certainly it will cost you a lot less than taking care of Maria Morales’&amp;lt;ref&amp;gt;Maria Consuelo Morales was the mother of [[w:Adele Morales|Adele]] and Joan Morales.&amp;lt;/ref&amp;gt; passage and incidental expenses. Besides, I don’t think you know what you’re getting in for. It’s one thing to dominate her when you’re around, and it’s another thing to dominate her when you’re on the set and she’s sitting around chatting at home with Joanie. So think twice, amigo.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, I don’t get it. Why don’t you get a babysitter? As I remember, labor in Spain, housemaids, babysitters, etc., is unbelievably inexpensive. Certainly it will cost you a lot less than taking care of Maria Morales’&amp;lt;ref&amp;gt;Maria Consuelo Morales was the mother of [[w:Adele Morales|Adele]] and Joan Morales.&amp;lt;/ref&amp;gt; passage and incidental expenses. Besides, I don’t think you know what you’re getting in for. It’s one thing to dominate her when you’re around, and it’s another thing to dominate her when you’re on the set and she’s sitting around chatting at home with Joanie. So think twice, amigo.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, these are my plans. I’m going over to England for the publication of &#039;&#039;An American Dream&#039;&#039;, and will be there a week or two. Maybe I’ll take on a trip to Italy or Spain for another week or two. That depends on a hundred different things—whether I go alone, with [[w:Beverley Bentley|Beverly]], with Beverly and [[Michael Mailer|Michael]], all sorts of things that are too hard to answer at the moment. But anyway, I’m just about positive I won’t be over before that. So probably I’ll be seeing you in Rome rather than in Spain. Or maybe we can meet at a ski resort. There are enough possibilities, aren’t there.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, these are my plans. I’m going over to England for the publication of &#039;&#039;An American Dream&#039;&#039;, and will be there a week or two. Maybe I’ll take on a trip to Italy or Spain for another week or two. That depends on a hundred different things—whether I go alone, with [[w:Beverley Bentley|Beverly]], with Beverly and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/ins&gt;Michael Mailer|Michael]], all sorts of things that are too hard to answer at the moment. But anyway, I’m just about positive I won’t be over before that. So probably I’ll be seeing you in Rome rather than in Spain. Or maybe we can meet at a ski resort. There are enough possibilities, aren’t there.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hey, one bit of news. Irving Shulman has the same agent I do, and wanted to meet me.&amp;lt;ref&amp;gt;[[w:Irving Shulman|Irving Shulman]] was a novelist whose agent was also [[w:Scott Meredith|Scott Meredith]].&amp;lt;/ref&amp;gt; We couldn’t get together, but did talk on the phone, and of course he asked all about you, and listened with interest, and I get the impression he’d like to hear from you. So if you’re in the mood, drop him a letter in care of Scott Meredith, 580 Fifth Avenue, New York.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hey, one bit of news. Irving Shulman has the same agent I do, and wanted to meet me.&amp;lt;ref&amp;gt;[[w:Irving Shulman|Irving Shulman]] was a novelist whose agent was also [[w:Scott Meredith|Scott Meredith]].&amp;lt;/ref&amp;gt; We couldn’t get together, but did talk on the phone, and of course he asked all about you, and listened with interest, and I get the impression he’d like to hear from you. So if you’re in the mood, drop him a letter in care of Scott Meredith, 580 Fifth Avenue, New York.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Dmcgonagill</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7193&amp;oldid=prev</id>
		<title>Jules Carry: Bunch of small improvements.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7193&amp;oldid=prev"/>
		<updated>2019-04-14T22:19:56Z</updated>

		<summary type="html">&lt;p&gt;Bunch of small improvements.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:19, 14 April 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;::::::::::::::::::::December 18, 1964&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;::::::::::::::::::::December 18, 1964&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dear Mickey,&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dear &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Mickey &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Knox|Mickey]]&lt;/ins&gt;,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Once again I’m banging my way through seventy or eighty letters, so there’s no pleasure in writing to anybody. I think &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[Martin] &lt;/del&gt;Heidegger&amp;lt;ref&amp;gt;Mailer continues to be interested in the existentialism of the German philosopher Martin Heidegger &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1889-1976)&lt;/del&gt;.&amp;lt;/ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;in speaking of matters like being and authenticity, also discusses the nothingness of a great many daily events—the matter of pursuing activities which are tasteless, joyless, probably not even necessary, and pervasive. And letter-writing, of course, [is] all a large part of that nothingness for me. This is by way of apology for the flatness of my letters. By the time I finish a letter to you, I always feel as if I’d let you down in some indefinable way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Once again I’m banging my way through seventy or eighty letters, so there’s no pleasure in writing to anybody. I think Heidegger&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/ins&gt;&amp;lt;ref&amp;gt;Mailer continues to be interested in the existentialism of the German philosopher &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Martin Heidegger&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Martin Heidegger]]&lt;/ins&gt;.&amp;lt;/ref&amp;gt; in speaking of matters like being and authenticity, also discusses the nothingness of a great many daily events—the matter of pursuing activities which are tasteless, joyless, probably not even necessary, and pervasive. And letter-writing, of course, [is] all a large part of that nothingness for me. This is by way of apology for the flatness of my letters. By the time I finish a letter to you, I always feel as if I’d let you down in some indefinable way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now as for the famous Robert Frank&amp;lt;ref&amp;gt;Robert Frank &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1924-) &lt;/del&gt;is a well-known photographer, filmmaker and member of the 1960s counterculture.&amp;lt;/ref&amp;gt; letter, the one you may or may not have received, I’m so confused by now that I’m going to send you my carbon of it, and you’ll then be able to decide for yourself whether or not the original ever caught up with you.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now as for the famous Robert Frank&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Robert Frank&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Robert Frank]] &lt;/ins&gt;is a well-known photographer, filmmaker and member of the 1960s counterculture.&amp;lt;/ref&amp;gt; letter, the one you may or may not have received, I’m so confused by now that I’m going to send you my carbon of it, and you’ll then be able to decide for yourself whether or not the original ever caught up with you.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I’m glad you liked the Republican Convention piece. It’s amusing, but reactions to it here have been more positive than anything I’ve done since The Naked and the Dead. I think the piece is good, but I wonder if it’s really so good as everyone says, or is buoyed up somewhat by the intense hatred most people feel for Goldwater. This is all very fine, the approval, I mean, because it puts me a tiny bit back in fashion, which I can use for An American Dream. The advance word out on the novel, you see, is that I’ve written a stinker. Which of course burns my ass. If it’s a stinker, I’m off my moorings. I don’t want to say too much now, but I’ve reworked that book as carefully as if I were giving a lovely lady my loveliest, and I think … well, read it for yourself. I’ll get a copy to you as soon as I can. In fact I think I’ll send you two copies so you can hand one around.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I’m glad you liked the Republican Convention piece.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;“In the Red Light: A History of the Republican Convention in 1964” was published in the November 1964 issue of &#039;&#039;Esquire&#039;&#039;.&amp;lt;/ref&amp;gt; &lt;/ins&gt;It’s amusing, but reactions to it here have been more positive than anything I’ve done since &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Naked and the Dead&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. I think the piece is good, but I wonder if it’s really so good as everyone says, or is buoyed up somewhat by the intense hatred most people feel for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Barry Goldwater|&lt;/ins&gt;Goldwater&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. This is all very fine, the approval, I mean, because it puts me a tiny bit back in fashion, which I can use for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;[[&lt;/ins&gt;An American Dream&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&#039;&#039;&lt;/ins&gt;. The advance word out on the novel, you see, is that I’ve written a stinker. Which of course burns my ass. If it’s a stinker, I’m off my moorings. I don’t want to say too much now, but I’ve reworked that book as carefully as if I were giving a lovely lady my loveliest, and I think … well, read it for yourself. I’ll get a copy to you as soon as I can. In fact I think I’ll send you two copies so you can hand one around.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give my regards to [Orson] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Welles&lt;/del&gt;, and tell him I said it’s a great pity he’s not in the theater any more, because I always wanted him to do Charles Francis Eitel&amp;lt;ref&amp;gt;Charles Frances Eitel is the movie producer in&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give my regards to [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[w:&lt;/ins&gt;Orson &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Welles|Welles]&lt;/ins&gt;], and tell him I said it’s a great pity he’s not in the theater any more, because I always wanted him to do Charles Francis Eitel&amp;lt;ref&amp;gt;Charles Frances Eitel is the movie producer in Mailer’s third novel, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;[[&lt;/ins&gt;The Deer Park&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&#039;&#039;&lt;/ins&gt;.&amp;lt;/ref&amp;gt;. Also, if you’ve got a copy of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;[[&lt;/ins&gt;The Presidential Papers&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&#039;&#039;&lt;/ins&gt;, and it’s feasible, tell Welles that I’d like him to read “The Metaphysics of the Belly,” where he will doubtless agree with me that he is no longer alone—there are now two great minds in the world. I’m kidding, Mickey, don’t put yourself out on this last one.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mailer’s third novel, The Deer Park.&amp;lt;/ref&amp;gt;. Also, if you’ve got a copy of The Presidential Papers, and it’s feasible, tell Welles that I’d like him to read “The Metaphysics of the Belly,” where he will doubtless agree with me that he is no longer alone—there are now two great minds in the world. I’m kidding, Mickey, don’t put yourself out on this last one.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, I don’t get it. Why don’t you get a babysitter? As I remember, labor in Spain, housemaids, babysitters, etc., is unbelievably inexpensive. Certainly it will cost you a lot less than taking care of Maria Morales’ passage and incidental expenses. Besides, I don’t think you know what you’re getting in for. It’s one thing to dominate her when you’re around, and it’s another thing to dominate her when you’re on the set and she’s sitting around chatting at home with Joanie. So think twice, amigo.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, I don’t get it. Why don’t you get a babysitter? As I remember, labor in Spain, housemaids, babysitters, etc., is unbelievably inexpensive. Certainly it will cost you a lot less than taking care of Maria Morales’&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Maria Consuelo Morales was the mother of [[w:Adele Morales|Adele]] and Joan Morales.&amp;lt;/ref&amp;gt; &lt;/ins&gt;passage and incidental expenses. Besides, I don’t think you know what you’re getting in for. It’s one thing to dominate her when you’re around, and it’s another thing to dominate her when you’re on the set and she’s sitting around chatting at home with Joanie. So think twice, amigo.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, these are my plans. I’m going over to England for the publication of An American Dream, and will be there a week or two. Maybe I’ll take on a trip to Italy or Spain for another week or two. That depends on a hundred different things—whether I go alone, with Beverly, with Beverly and Michael, all sorts of things that are too hard to answer at the moment. But anyway, I’m just about positive I won’t be over before that. So probably I’ll be seeing you in Rome rather than in Spain. Or maybe we can meet at a ski resort. There are enough possibilities, aren’t there.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Listen, these are my plans. I’m going over to England for the publication of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;An American Dream&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, and will be there a week or two. Maybe I’ll take on a trip to Italy or Spain for another week or two. That depends on a hundred different things—whether I go alone, with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Beverley Bentley|&lt;/ins&gt;Beverly&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, with Beverly and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Michael &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer|Michael]]&lt;/ins&gt;, all sorts of things that are too hard to answer at the moment. But anyway, I’m just about positive I won’t be over before that. So probably I’ll be seeing you in Rome rather than in Spain. Or maybe we can meet at a ski resort. There are enough possibilities, aren’t there.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hey, one bit of news. Irving Shulman&amp;lt;ref&amp;gt;Irving Shulman was a novelist whose agent was also&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hey, one bit of news. Irving Shulman &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has the same agent I do, and wanted to meet me.&lt;/ins&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Irving Shulman|&lt;/ins&gt;Irving Shulman&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;was a novelist whose agent was also &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Scott Meredith|&lt;/ins&gt;Scott Meredith&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.&amp;lt;/ref&amp;gt; We couldn’t get together, but did talk on the phone, and of course he asked all about you, and listened with interest, and I get the impression he’d like to hear from you. So if you’re in the mood, drop him a letter in care of Scott Meredith, 580 Fifth Avenue, New York.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Scott Meredith&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Maria Consuelo Morales was the mother of Adele and Joan Morales&lt;/del&gt;.&amp;lt;/ref&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has the same agent I do, and wanted to meet me. &lt;/del&gt;We couldn’t get together, but did talk on the phone, and of course he asked all about you, and listened with interest, and I get the impression he’d like to hear from you. So if you’re in the mood, drop him a letter in care of Scott Meredith, 580 Fifth Avenue, New York.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give Valentina a kiss for me, and tell her to watch out for Michael, because he’s a real prick—every time I throw a punch at him, he just busts out laughing.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give Valentina a kiss for me, and tell her to watch out for Michael, because he’s a real prick—every time I throw a punch at him, he just busts out laughing.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key projectmailer-mw5w_:diff:1.41:old-7111:rev-7193:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Jules Carry</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7111&amp;oldid=prev</id>
		<title>JenniferMGA: Posted Norman&#039;s December 18th Letter to Mickey Knox</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Mickey_Knox,_December_18,_1964&amp;diff=7111&amp;oldid=prev"/>
		<updated>2019-04-13T02:00:52Z</updated>

		<summary type="html">&lt;p&gt;Posted Norman&amp;#039;s December 18th Letter to Mickey Knox&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{NMletter}}&lt;br /&gt;
&lt;br /&gt;
{{Letterhead start|styles = margin: 2em 2em 2em 2em}}&lt;br /&gt;
                                                                                   &lt;br /&gt;
::::::::::::::::::::142 Columbia Heights&amp;lt;br /&amp;gt;&lt;br /&gt;
::::::::::::::::::::Brooklyn 1, New York&amp;lt;br /&amp;gt;&lt;br /&gt;
::::::::::::::::::::December 18, 1964&lt;br /&gt;
&lt;br /&gt;
Dear Mickey,&lt;br /&gt;
&lt;br /&gt;
Once again I’m banging my way through seventy or eighty letters, so there’s no pleasure in writing to anybody. I think [Martin] Heidegger&amp;lt;ref&amp;gt;Mailer continues to be interested in the existentialism of the German philosopher Martin Heidegger (1889-1976).&amp;lt;/ref&amp;gt;, in speaking of matters like being and authenticity, also discusses the nothingness of a great many daily events—the matter of pursuing activities which are tasteless, joyless, probably not even necessary, and pervasive. And letter-writing, of course, [is] all a large part of that nothingness for me. This is by way of apology for the flatness of my letters. By the time I finish a letter to you, I always feel as if I’d let you down in some indefinable way.&lt;br /&gt;
&lt;br /&gt;
Now as for the famous Robert Frank&amp;lt;ref&amp;gt;Robert Frank (1924-) is a well-known photographer, filmmaker and member of the 1960s counterculture.&amp;lt;/ref&amp;gt; letter, the one you may or may not have received, I’m so confused by now that I’m going to send you my carbon of it, and you’ll then be able to decide for yourself whether or not the original ever caught up with you.&lt;br /&gt;
&lt;br /&gt;
I’m glad you liked the Republican Convention piece. It’s amusing, but reactions to it here have been more positive than anything I’ve done since The Naked and the Dead. I think the piece is good, but I wonder if it’s really so good as everyone says, or is buoyed up somewhat by the intense hatred most people feel for Goldwater. This is all very fine, the approval, I mean, because it puts me a tiny bit back in fashion, which I can use for An American Dream. The advance word out on the novel, you see, is that I’ve written a stinker. Which of course burns my ass. If it’s a stinker, I’m off my moorings. I don’t want to say too much now, but I’ve reworked that book as carefully as if I were giving a lovely lady my loveliest, and I think … well, read it for yourself. I’ll get a copy to you as soon as I can. In fact I think I’ll send you two copies so you can hand one around.&lt;br /&gt;
&lt;br /&gt;
Give my regards to [Orson] Welles, and tell him I said it’s a great pity he’s not in the theater any more, because I always wanted him to do Charles Francis Eitel&amp;lt;ref&amp;gt;Charles Frances Eitel is the movie producer in&lt;br /&gt;
Mailer’s third novel, The Deer Park.&amp;lt;/ref&amp;gt;. Also, if you’ve got a copy of The Presidential Papers, and it’s feasible, tell Welles that I’d like him to read “The Metaphysics of the Belly,” where he will doubtless agree with me that he is no longer alone—there are now two great minds in the world. I’m kidding, Mickey, don’t put yourself out on this last one.&lt;br /&gt;
&lt;br /&gt;
Listen, I don’t get it. Why don’t you get a babysitter? As I remember, labor in Spain, housemaids, babysitters, etc., is unbelievably inexpensive. Certainly it will cost you a lot less than taking care of Maria Morales’ passage and incidental expenses. Besides, I don’t think you know what you’re getting in for. It’s one thing to dominate her when you’re around, and it’s another thing to dominate her when you’re on the set and she’s sitting around chatting at home with Joanie. So think twice, amigo.&lt;br /&gt;
&lt;br /&gt;
Listen, these are my plans. I’m going over to England for the publication of An American Dream, and will be there a week or two. Maybe I’ll take on a trip to Italy or Spain for another week or two. That depends on a hundred different things—whether I go alone, with Beverly, with Beverly and Michael, all sorts of things that are too hard to answer at the moment. But anyway, I’m just about positive I won’t be over before that. So probably I’ll be seeing you in Rome rather than in Spain. Or maybe we can meet at a ski resort. There are enough possibilities, aren’t there.&lt;br /&gt;
&lt;br /&gt;
Hey, one bit of news. Irving Shulman&amp;lt;ref&amp;gt;Irving Shulman was a novelist whose agent was also&lt;br /&gt;
Scott Meredith. Maria Consuelo Morales was the mother of Adele and Joan Morales.&amp;lt;/ref&amp;gt; has the same agent I do, and wanted to meet me. We couldn’t get together, but did talk on the phone, and of course he asked all about you, and listened with interest, and I get the impression he’d like to hear from you. So if you’re in the mood, drop him a letter in care of Scott Meredith, 580 Fifth Avenue, New York.&lt;br /&gt;
&lt;br /&gt;
Give Valentina a kiss for me, and tell her to watch out for Michael, because he’s a real prick—every time I throw a punch at him, he just busts out laughing.&lt;br /&gt;
&lt;br /&gt;
::::::::::::::::::::Love,&amp;lt;br /&amp;gt;&lt;br /&gt;
::::::::::::::::::::Norman&lt;br /&gt;
{{Letterhead end}}&lt;br /&gt;
&lt;br /&gt;
{{Aade-sm}}&lt;br /&gt;
===Notes===&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Aad-letters}}&lt;/div&gt;</summary>
		<author><name>JenniferMGA</name></author>
	</entry>
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