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	<id>https://projectmailer.net/index.php?action=history&amp;feed=atom&amp;title=Lipton%E2%80%99s_Journal%2FDecember_1%2C_1954%2F5</id>
	<title>Lipton’s Journal/December 1, 1954/5 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://projectmailer.net/index.php?action=history&amp;feed=atom&amp;title=Lipton%E2%80%99s_Journal%2FDecember_1%2C_1954%2F5"/>
	<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;action=history"/>
	<updated>2026-05-05T04:21:37Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=15364&amp;oldid=prev</id>
		<title>Grlucas: Added template.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=15364&amp;oldid=prev"/>
		<updated>2021-07-15T11:04:10Z</updated>

		<summary type="html">&lt;p&gt;Added template.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:04, 15 July 2021&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;refn|Titled “The &lt;/del&gt;City &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of God,” and begun in the early {{date|1950}}s, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/471|471]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in {{date|2007}}.&lt;/del&gt;}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;LJ:&lt;/ins&gt;City}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=15349&amp;oldid=prev</id>
		<title>Grlucas: Tweaks.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=15349&amp;oldid=prev"/>
		<updated>2021-07-14T21:26:20Z</updated>

		<summary type="html">&lt;p&gt;Tweaks.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:26, 14 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{refn|Titled “The City of God,” and begun in the early &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1950s&lt;/del&gt;, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/471|471]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{refn|Titled “The City of God,” and begun in the early &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{date|1950}}s&lt;/ins&gt;, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/471|471]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{date|&lt;/ins&gt;2007&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;.}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=14028&amp;oldid=prev</id>
		<title>Grlucas: Updated link.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=14028&amp;oldid=prev"/>
		<updated>2021-04-17T14:40:08Z</updated>

		<summary type="html">&lt;p&gt;Updated link.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:40, 17 April 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{refn|Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;469&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;469&lt;/del&gt;]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.{{refn|Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;471&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;471&lt;/ins&gt;]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.}} A Lipton’s insight I had last night. The German doctor has heretofore been too thin, too structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=13868&amp;oldid=prev</id>
		<title>Grlucas: Fixed typo.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=13868&amp;oldid=prev"/>
		<updated>2021-04-03T15:18:16Z</updated>

		<summary type="html">&lt;p&gt;Fixed typo.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:18, 3 April 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;&lt;/del&gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/469|469]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt; &lt;/del&gt;A Lipton’s insight I had last night. The German doctor has heretofore been too thin, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to &lt;/del&gt;structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{refn|&lt;/ins&gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the [[w:Harry Ransom Center|Harry Ransom Center]] at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[Lipton’s Journal/February 7, 1955/469|469]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}} &lt;/ins&gt;A Lipton’s insight I had last night. The German doctor has heretofore been too thin, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;too &lt;/ins&gt;structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Notes|title=Note|width=60em}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key projectmailer-mw5w_:diff:1.41:old-11524:rev-13868:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=11524&amp;oldid=prev</id>
		<title>Grlucas: Tweaks.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=11524&amp;oldid=prev"/>
		<updated>2020-09-17T12:54:43Z</updated>

		<summary type="html">&lt;p&gt;Tweaks.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:54, 17 September 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJtop}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&amp;lt;ref&amp;gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the Harry Ransom Center at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;LJ447&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;447&lt;/del&gt;]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.&amp;lt;/ref&amp;gt; A Lipton’s insight I had last night. The German doctor has heretofore been too thin, to structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&amp;lt;ref&amp;gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Harry Ransom Center&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Harry Ransom Center]] &lt;/ins&gt;at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lipton’s Journal/February 7, 1955/469&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;469&lt;/ins&gt;]]). He finally published the novel, his last, &#039;&#039;[[The Castle in the Forest]]&#039;&#039;, in 2007.&amp;lt;/ref&amp;gt; A Lipton’s insight I had last night. The German doctor has heretofore been too thin, to structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Notes|title&lt;/ins&gt;=Note&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|width&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;60em&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/del&gt;=Note=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{reflist&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:December 1, 1954]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=10262&amp;oldid=prev</id>
		<title>Grlucas: Tweaks. Added cat.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=10262&amp;oldid=prev"/>
		<updated>2020-07-04T20:02:29Z</updated>

		<summary type="html">&lt;p&gt;Tweaks. Added cat.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:02, 4 July 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{LJtop}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&amp;lt;ref&amp;gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the Harry Ransom Center at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[LJ447|447]]). He finally published the novel, his last, &amp;#039;&amp;#039;[[The Castle in the Forest]]&amp;#039;&amp;#039;, in 2007.&amp;lt;/ref&amp;gt; A Lipton’s insight I had last night. The German doctor has heretofore been too thin, to structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concentration camp novel.&amp;lt;ref&amp;gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the Harry Ransom Center at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[LJ447|447]]). He finally published the novel, his last, &amp;#039;&amp;#039;[[The Castle in the Forest]]&amp;#039;&amp;#039;, in 2007.&amp;lt;/ref&amp;gt; A Lipton’s insight I had last night. The German doctor has heretofore been too thin, to structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LJnav}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:December 1, 1954]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key projectmailer-mw5w_:diff:1.41:old-8736:rev-10262:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=8736&amp;oldid=prev</id>
		<title>Grlucas: Created page.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=Lipton%E2%80%99s_Journal/December_1,_1954/5&amp;diff=8736&amp;oldid=prev"/>
		<updated>2019-05-29T21:35:04Z</updated>

		<summary type="html">&lt;p&gt;Created page.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The concentration camp novel.&amp;lt;ref&amp;gt;Titled “The City of God,” and begun in the early 1950s, it was never completed; only a fragment exists in the Harry Ransom Center at the University of Texas-Austin, home of the Mailer Archive. Initially, {{NM}}’s setting was a Soviet concentration camp; he later changed it to a German camp (see No. [[LJ447|447]]). He finally published the novel, his last, &amp;#039;&amp;#039;[[The Castle in the Forest]]&amp;#039;&amp;#039;, in 2007.&amp;lt;/ref&amp;gt; A Lipton’s insight I had last night. The German doctor has heretofore been too thin, to structural. Merely an unsympathetic character who comes to appear as sympathetic here and again until he is finally shown as more or less evil or at least utterly weak. But suppose I make the attempt to show him as genuinely sympathetic, suppose I let him get out of hand, let him convince the reader as well as the doctor. So that finally, even when he kills the children, he is merely thinking, “Sweet lovely children, this is how they pass from the world of insubstantialities into the world of the universe.” Originally, he might merely feel numb; but as he is obliged to continue killing them, the mysticism arises.&lt;br /&gt;
&lt;br /&gt;
===Note===&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
{{LJnav}}&lt;/div&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
</feed>