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2019-03-10T21:46:50Z

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	“Callow Young Genius.” Interview by [[Barbara Probst Solomon]]. New York, 11 September, 81–84. First (and one of the best) interviews on ''Portrait of Picasso as a Young Man'' ([[95.38]]). Solomon leads {{NM}} into a thoughtful discussion of the young Picasso, sex, narcissism, science and painting. Mailer also anticipates, correctly, the response of art critics to [[95.38]]:		“Callow Young Genius.” Interview by [[Barbara Probst Solomon]]. New York, 11 September, 81–84. First (and one of the best) interviews on ''Portrait of Picasso as a Young Man'' ([[95.38]]). Solomon leads {{NM}} into a thoughtful discussion of the young Picasso, sex, narcissism, science and painting. Mailer also anticipates, correctly, the response of art critics to 95.38:

	{{cquote\|Art jargon is one of the most offensive critical languages, and it certainly seals the subject off from the onlooker. So the art critics who are making a living out of the subject without real penetration will absolutely detest what I am trying to do here. Because I am trying to say, here’s a man, an immensely complicated man, and incredibly talented, but he is not beyond our reach.}}		{{cquote\|Art jargon is one of the most offensive critical languages, and it certainly seals the subject off from the onlooker. So the art critics who are making a living out of the subject without real penetration will absolutely detest what I am trying to do here. Because I am trying to say, here’s a man, an immensely complicated man, and incredibly talented, but he is not beyond our reach.}}

Grlucas: Created page.

2019-03-10T21:46:11Z

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{{WDside}}
“Callow Young Genius.” Interview by [[Barbara Probst Solomon]]. New York, 11 September, 81–84. First (and one of the best) interviews on ''Portrait of Picasso as a Young Man'' ([[95.38]]). Solomon leads {{NM}} into a thoughtful discussion of the young Picasso, sex, narcissism, science and painting. Mailer also anticipates, correctly, the response of art critics to [[95.38]]:

{{cquote|Art jargon is one of the most offensive critical languages, and it certainly seals the subject off from the onlooker. So the art critics who are making a living out of the subject without real penetration will absolutely detest what I am trying to do here. Because I am trying to say, here’s a man, an immensely complicated man, and incredibly talented, but he is not beyond our reach.}}

{{1980s|state=collapsed}}
{{1990s|state=expanded}}
{{2000s|state=collapsed}}

[[Category:Works]]
[[Category:Works in the 1990s]]
[[Category:Works in 1995]]
[[Category:Interviews]]

95.33 - Revision history

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