79.35a - Revision history

Jules Carry: Tweak.

2021-02-15T15:26:13Z

Tweak.

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	[https://www.bbc.co.uk/programmes/p009mwr2 BBC Interview] by [[w:Roy Plomley\|Roy Plomley]] on his show, ''Desert Island Discs'', 15 December 1979. Recorded during the publicity tour for ''The Executioner’s Song'' ([[79.14]]), this 40-minute interview spans his career and is framed by {{NM}}’s desert-island musical selections. Major ~~points, from~~ his early days at Harvard where he discovered the “joy of ~~writing,”~~ his disappointment at having missed serving in Europe during World War II, to his foray into filmmaking~~, to~~ his writing habits and personal ~~life, are~~ all discussed. Mailer acknowledges his appreciation for jazz which begins in his early career and grows in the sixties and through several marriages. Mailer states: “If there is any moment in my life that music became terribly important to me it was with American jazz, the jazz of the ’50s. I use to hang out at a place called [[w:Five Spot Café\|The Five Spot]]. It was absolutely famous in small circles in those days. . . . We used to hear [[w:Thelonious Monk\|Thelonious Monk]] there and once in a while, [[w:Miles Davis\|Miles Davis]]. Once in a great while [[w:Sonny Rollins\|Sonny Rollins]]. I chose records of [[w:Sonny Stitt\|Sonny Stitt]] and Sonny Rollins, and Miles Davis because it brings back that period to me. It’s a very rich period, a period where everything started in America.” When asked about his desert-island book, Mailer replies: “''Labyrinths'' by [[w:Jorge Luis Borges\|Borges]]. . . . It’s immensely complex and tremendously compressed. There’s enough in that one work, an expression of his best pieces over the years . . . to keep my mind interested for many a year.” See [[81.16]], [[89.5a]], and [[07.44]].		[https://www.bbc.co.uk/programmes/p009mwr2 BBC Interview] by [[w:Roy Plomley\|Roy Plomley]] on his show, ''Desert Island Discs'', 15 December 1979. Recorded during the publicity tour for ''The Executioner’s Song'' ([[79.14]]), this 40-minute interview spans his career and is framed by {{NM}}’s desert-island musical selections. Major points—from his early days at Harvard where he discovered the “joy of writing”; his disappointment at having missed serving in Europe during World War II, to his foray into filmmaking; his writing habits and personal life—are all discussed. Mailer acknowledges his appreciation for jazz which begins in his early career and grows in the sixties and through several marriages. Mailer states: “If there is any moment in my life that music became terribly important to me it was with American jazz, the jazz of the ’50s. I use to hang out at a place called [[w:Five Spot Café\|The Five Spot]]. It was absolutely famous in small circles in those days. . . . We used to hear [[w:Thelonious Monk\|Thelonious Monk]] there and once in a while, [[w:Miles Davis\|Miles Davis]]. Once in a great while [[w:Sonny Rollins\|Sonny Rollins]]. I chose records of [[w:Sonny Stitt\|Sonny Stitt]] and Sonny Rollins, and Miles Davis because it brings back that period to me. It’s a very rich period, a period where everything started in America.” When asked about his desert-island book, Mailer replies: “''Labyrinths'' by [[w:Jorge Luis Borges\|Borges]]. . . . It’s immensely complex and tremendously compressed. There’s enough in that one work, an expression of his best pieces over the years . . . to keep my mind interested for many a year.” See [[81.16]], [[89.5a]], and [[07.44]].

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Jules Carry: Added interview link.

2021-02-15T15:14:45Z

Added interview link.

← Older revision		Revision as of 11:14, 15 February 2021
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	BBC Interview by [[w:Roy Plomley\|Roy Plomley]] on his show, ''Desert Island Discs'', 15 December 1979. Recorded during the publicity tour for ''The Executioner’s Song'' ([[79.14]]), this 40-minute interview spans his career and is framed by {{NM}}’s desert-island musical selections. Major points, from his early days at Harvard where he discovered the “joy of writing,” his disappointment at having missed serving in Europe during World War II, to his foray into filmmaking, to his writing habits and personal life, are all discussed. Mailer acknowledges his appreciation for jazz which begins in his early career and grows in the sixties and through several marriages. Mailer states: “If there is any moment in my life that music became terribly important to me it was with American jazz, the jazz of the ’50s. I use to hang out at a place called [[w:Five Spot Café\|The Five Spot]]. It was absolutely famous in small circles in those days. . . . We used to hear [[w:Thelonious Monk\|Thelonious Monk]] there and once in a while, [[w:Miles Davis\|Miles Davis]]. Once in a great while [[w:Sonny Rollins\|Sonny Rollins]]. I chose records of [[w:Sonny Stitt\|Sonny Stitt]] and Sonny Rollins, and Miles Davis because it brings back that period to me. It’s a very rich period, a period where everything started in America.” When asked about his desert-island book, Mailer replies: “''Labyrinths'' by [[w:Jorge Luis Borges\|Borges]]. . . . It’s immensely complex and tremendously compressed. There’s enough in that one work, an expression of his best pieces over the years . . . to keep my mind interested for many a year.” See [[81.16]], [[89.5a]], and [[07.44]].		[https://www.bbc.co.uk/programmes/p009mwr2 BBC Interview] by [[w:Roy Plomley\|Roy Plomley]] on his show, ''Desert Island Discs'', 15 December 1979. Recorded during the publicity tour for ''The Executioner’s Song'' ([[79.14]]), this 40-minute interview spans his career and is framed by {{NM}}’s desert-island musical selections. Major points, from his early days at Harvard where he discovered the “joy of writing,” his disappointment at having missed serving in Europe during World War II, to his foray into filmmaking, to his writing habits and personal life, are all discussed. Mailer acknowledges his appreciation for jazz which begins in his early career and grows in the sixties and through several marriages. Mailer states: “If there is any moment in my life that music became terribly important to me it was with American jazz, the jazz of the ’50s. I use to hang out at a place called [[w:Five Spot Café\|The Five Spot]]. It was absolutely famous in small circles in those days. . . . We used to hear [[w:Thelonious Monk\|Thelonious Monk]] there and once in a while, [[w:Miles Davis\|Miles Davis]]. Once in a great while [[w:Sonny Rollins\|Sonny Rollins]]. I chose records of [[w:Sonny Stitt\|Sonny Stitt]] and Sonny Rollins, and Miles Davis because it brings back that period to me. It’s a very rich period, a period where everything started in America.” When asked about his desert-island book, Mailer replies: “''Labyrinths'' by [[w:Jorge Luis Borges\|Borges]]. . . . It’s immensely complex and tremendously compressed. There’s enough in that one work, an expression of his best pieces over the years . . . to keep my mind interested for many a year.” See [[81.16]], [[89.5a]], and [[07.44]].

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Jules Carry: Created page.

2021-02-15T15:12:01Z

Created page.

New page

{{WDside}}
BBC Interview by [[w:Roy Plomley|Roy Plomley]] on his show, ''Desert Island Discs'', 15 December 1979. Recorded during the publicity tour for ''The Executioner’s Song'' ([[79.14]]), this 40-minute interview spans his career and is framed by {{NM}}’s desert-island musical selections. Major points, from his early days at Harvard where he discovered the “joy of writing,” his disappointment at having missed serving in Europe during World War II, to his foray into filmmaking, to his writing habits and personal life, are all discussed. Mailer acknowledges his appreciation for jazz which begins in his early career and grows in the sixties and through several marriages. Mailer states: “If there is any moment in my life that music became terribly important to me it was with American jazz, the jazz of the ’50s. I use to hang out at a place called [[w:Five Spot Café|The Five Spot]]. It was absolutely famous in small circles in those days. . . . We used to hear [[w:Thelonious Monk|Thelonious Monk]] there and once in a while, [[w:Miles Davis|Miles Davis]]. Once in a great while [[w:Sonny Rollins|Sonny Rollins]]. I chose records of [[w:Sonny Stitt|Sonny Stitt]] and Sonny Rollins, and Miles Davis because it brings back that period to me. It’s a very rich period, a period where everything started in America.” When asked about his desert-island book, Mailer replies: “''Labyrinths'' by [[w:Jorge Luis Borges|Borges]]. . . . It’s immensely complex and tremendously compressed. There’s enough in that one work, an expression of his best pieces over the years . . . to keep my mind interested for many a year.” See [[81.16]], [[89.5a]], and [[07.44]].

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{{1970s|state=expanded}}
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[[Category:Works]]
[[Category:Works in the 1970s]]
[[Category:Works in 1979]]
[[Category:Interviews]]