67.20 - Revision history

Grlucas: Tweaked title.

2019-08-04T13:20:42Z

Tweaked title.

← Older revision		Revision as of 09:20, 4 August 2019
Line 1:		Line 1:
	{{WDside}}		{{WDside}}
	~~====~~''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.~~====~~		{{Big\|''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.}}

	No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,{{' "}} a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.		No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,{{' "}} a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.

Grlucas: Tweaked quotation marks.

2019-05-16T20:48:17Z

Tweaked quotation marks.

← Older revision		Revision as of 16:48, 16 May 2019
Line 2:		Line 2:
	====''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.====		====''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.====

	No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.		No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,{{' "}} a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.

	The volume is accompanied by a 33⅓, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].		The volume is accompanied by a 33⅓, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].

	~~<gallery>~~		{{Gallery
	File:67-20.jpeg		\|width=200
	</~~gallery~~>		\|height=200
			\|align=left
			\|File:67-20.jpeg\|
			}}
			<div style="clear:both;"></div>

	{{Refend}}		{{Refend}}

Grlucas: Added real fraction.

2018-12-16T00:14:17Z

Added real fraction.

← Older revision		Revision as of 20:14, 15 December 2018
Line 4:		Line 4:
	No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.		No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.

	The volume is accompanied by a ~~33 1/3~~, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].		The volume is accompanied by a 33⅓, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].

	<gallery>		<gallery>

Grlucas: Added italics.

2018-12-15T23:38:06Z

Added italics.

← Older revision		Revision as of 19:38, 15 December 2018
Line 2:		Line 2:
	====''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.====		====''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.====

	No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a corrida de toros, but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.		No dedication. [[Norman Mailer\|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a ''corrida de toros'', but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.

	The volume is accompanied by a 33 1/3, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].		The volume is accompanied by a 33 1/3, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer\|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].

Grlucas: Created page.

2018-12-15T23:36:06Z

Created page.

New page

{{WDside}}
====''The Bullfight: A Photographic Narrative with Text by Norman Mailer''. New York: CBS Legacy Collection Book, distributed by Macmillan, mid- November. Essay, 112 unnumbered pp., $7.95.====

No dedication. [[Norman Mailer|Mailer]]’s essay, titled “Footnote to ‘Death in the Afternoon,’” a portrait of the Mexican bullfighter Amando Ramirez (El Loco) is 23 pp.; it is accompanied by a fragment from Federico García Lorca’s “Lament for Sánchez Mejías,” and 91 photographs, comprising a complete depiction of a corrida de toros, but using a series of bullfighters, including Luis Miguel Dominguin and Antonio Ordónez (the rivals in Ernest Hemingway’s ''The Dangerous Summer''), and El Cordobes.

The volume is accompanied by a 33 1/3, 60-minute, monaural record on which Mailer reads selections from his essay; Hugh Marlowe and Rosemary Tory read “Lament For Sánchez Mejías,” translated by Mailer and his daughter [[Susan Mailer|Susan]] (see [[67.22]]); traditional Spanish music is performed on five cuts by the Bullring Band of Madrid, Pedro Cortes, flamenco guitarist and Paco Ortiz, flamenco singer. The record is produced by Bernard “Buzz” Farbar. Rpt: As “The Crazy One” in [[67.17]]; “Homage to El Loco” in [[72.7]], [[82.19]]. See 67.17 for explanation of differences among the three versions; [[84.2]].

<gallery>
File:67-20.jpeg
</gallery>

{{Refend}}

{{1950s|state=collapsed}}
{{1960s|state=expanded}}
{{1970s|state=collapsed}}

[[Category:Works]]
[[Category:Works in the 1960s]]
[[Category:Works in 1967]]
[[Category:Essays]]
[[Category:Miscellaneous]]
[[Category:Audio]]