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	<id>https://projectmailer.net/index.php?action=history&amp;feed=atom&amp;title=1971</id>
	<title>1971 - Revision history</title>
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	<updated>2026-05-06T03:31:32Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://projectmailer.net/index.php?title=1971&amp;diff=8788&amp;oldid=prev</id>
		<title>Grlucas: Updated gallery and links.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=1971&amp;diff=8788&amp;oldid=prev"/>
		<updated>2019-06-02T14:47:58Z</updated>

		<summary type="html">&lt;p&gt;Updated gallery and links.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:47, 2 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{WDside}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{WDside}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Preceded by three excerpts in &#039;&#039;Life&#039;&#039;, &#039;&#039;Of a Fire on the Moon&#039;&#039; ([[71.1]]) is published on 11 January by Little, Brown, the first of eight books by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer &lt;/del&gt;to be published by this firm. It is later nominated for the National Book Award in the sciences category.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Preceded by three excerpts in &#039;&#039;Life&#039;&#039;, &#039;&#039;Of a Fire on the Moon&#039;&#039; ([[71.1]]) is published on 11 January by Little, Brown, the first of eight books by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{NM}} &lt;/ins&gt;to be published by this firm. It is later nominated for the National Book Award in the sciences category.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;The &lt;/del&gt;Prisoner of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sex&quot; &lt;/del&gt;([[71.10]]) is published in the March &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Harper&#039;s&lt;/del&gt;&#039;&#039;, which displeases the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;magazine&#039;s &lt;/del&gt;owners and contributes to the resignation of its editor, Willie Morris.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The &lt;/ins&gt;Prisoner of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sex” &lt;/ins&gt;([[71.10]]) is published in the March &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Harper’s&lt;/ins&gt;&#039;&#039;, which displeases the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;magazine’s &lt;/ins&gt;owners and contributes to the resignation of its editor, Willie Morris.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A staged reading of &amp;#039;&amp;#039;D.J.&amp;#039;&amp;#039;, a one-act play based on &amp;#039;&amp;#039;Why Are We in Vietnam?&amp;#039;&amp;#039; ([[76.15]]) is given in New York.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A staged reading of &amp;#039;&amp;#039;D.J.&amp;#039;&amp;#039;, a one-act play based on &amp;#039;&amp;#039;Why Are We in Vietnam?&amp;#039;&amp;#039; ([[76.15]]) is given in New York.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Maggie Mailer|Maggie Alexandra]] born to Carol on 21 March.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Maggie Mailer|Maggie Alexandra]] born to Carol on 21 March.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 30 April, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Norman Mailer|Mailer]] &lt;/del&gt;takes part in a contentious and humorous discourse, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;A &lt;/del&gt;Dialogue on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Women&#039;s Liberation&quot; &lt;/del&gt;(see [[71.16]]) at Town Hall in New York City, along with Germaine Greer, Diana Trilling and others. Mailer says that his hair turned white that night. The evening forms the basis for Donn Pennebaker&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s &lt;/del&gt;documentary film, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;Town Bloody Hall&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;, which is Germaine &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Greer&#039;s &lt;/del&gt;description of the evening.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 30 April, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{NM}} &lt;/ins&gt;takes part in a contentious and humorous discourse, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“A &lt;/ins&gt;Dialogue on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Women’s Liberation” &lt;/ins&gt;(see [[71.16]]) at Town Hall in New York City, along with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Germaine Greer&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Germaine Greer]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Diana Trilling|&lt;/ins&gt;Diana Trilling&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and others. Mailer says that his hair turned white that night. The evening forms the basis for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:D. A. Pennebaker|&lt;/ins&gt;Donn Pennebaker&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]’s &lt;/ins&gt;documentary film, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“[[w:Town Bloody Hall|&lt;/ins&gt;Town Bloody Hall&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;,&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;” &lt;/ins&gt;which is Germaine &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Greer’s &lt;/ins&gt;description of the evening.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;The Prisoner of Sex&#039;&#039; ([[71.20]]), which contains &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer&#039;s &lt;/del&gt;brilliant 40-page reflection on D.H. Lawrence, is published in book form on 27 May, and nominated for the National Book Award in the arts and letters category.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;The Prisoner of Sex&#039;&#039; ([[71.20]]), which contains &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer’s &lt;/ins&gt;brilliant 40-page reflection on D.H. Lawrence, is published in book form on 27 May, and nominated for the National Book Award in the arts and letters category.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In August, José &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Torres&#039;s &lt;/del&gt;biography of Muhammad Ali, &#039;&#039;Sting Like a Bee: The Muhammad Ali Story&#039;&#039;, is published with a preface by Mailer.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In August, José &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Torres’s &lt;/ins&gt;biography of Muhammad Ali, &#039;&#039;Sting Like a Bee: The Muhammad Ali Story&#039;&#039;, is published with a preface by Mailer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 8 September, [[Matthew Norris]] born to [[Norris Church Mailer|Barbara Norris]], who Mailer will informally adopt after Mailer marries his mother in 1980.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 8 September, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Matthew Mailer|&lt;/ins&gt;Matthew Norris]] born to [[Norris Church Mailer|Barbara Norris]], who Mailer will informally adopt after Mailer marries his mother in 1980.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Maidstone&#039;&#039; premieres at the Whitney Museum in New York City on 22 September, and is published as &#039;&#039;Maidstone: A Mystery&#039;&#039; ([[71.28]]) in October. &#039;&#039;The Long Patrol: 25 Years of Writing from the Work of Norman Mailer&#039;&#039; ([[71.29]]), a 739-page anthology containing selections from all of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer&#039;s &lt;/del&gt;major books to that year, edited by [[Robert F. Lucid]], is published on 25 October. Lucid also edits the first collection of critical essays, &#039;&#039;Norman Mailer: The Man and His Work&#039;&#039;, published by Little, Brown.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Maidstone&#039;&#039; premieres at the Whitney Museum in New York City on 22 September, and is published as &#039;&#039;Maidstone: A Mystery&#039;&#039; ([[71.28]]) in October. &#039;&#039;The Long Patrol: 25 Years of Writing from the Work of Norman Mailer&#039;&#039; ([[71.29]]), a 739-page anthology containing selections from all of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mailer’s &lt;/ins&gt;major books to that year, edited by [[Robert F. Lucid]], is published on 25 October. Lucid also edits the first collection of critical essays, &#039;&#039;Norman Mailer: The Man and His Work&#039;&#039;, published by Little, Brown.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 2 December, he appears on the &#039;&#039;Dick Cavett Show&#039;&#039; with Janet Flanner and Gore Vidal, and via his acrimonious exchanges with Vidal (who compared Mailer to Charles Manson in an essay in the &#039;&#039;New York Review of Books&#039;&#039;), re-writes the rules of the television talk show when he attacks his host and fellow guests, and draws the audience into the fray.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 2 December, he appears on the &#039;&#039;Dick Cavett Show&#039;&#039; with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:&lt;/ins&gt;Janet Flanner&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Janet Flanner]] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:Gore Vidal|&lt;/ins&gt;Gore Vidal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, and via his acrimonious exchanges with Vidal (who compared Mailer to Charles Manson in an essay in the &#039;&#039;New York Review of Books&#039;&#039;), re-writes the rules of the television talk show when he attacks his host and fellow guests, and draws the audience into the fray.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;gallery&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Gallery&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:1971 NM.jpg|NM in 1971. AP file photo.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|width=200&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gallery&lt;/del&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|height=200&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|align=left&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;File:1971 NM.jpg|NM in 1971. AP file photo.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;div style=&quot;clear:both;&quot;&amp;gt;&lt;/ins&gt;&amp;lt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;div&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{1960s|state=collapsed}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{1960s|state=collapsed}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key projectmailer-mw5w_:diff:1.41:old-1845:rev-8788:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=1971&amp;diff=1845&amp;oldid=prev</id>
		<title>Grlucas: Created page.</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=1971&amp;diff=1845&amp;oldid=prev"/>
		<updated>2018-12-02T16:18:03Z</updated>

		<summary type="html">&lt;p&gt;Created page.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{WDside}}&lt;br /&gt;
&lt;br /&gt;
Preceded by three excerpts in &amp;#039;&amp;#039;Life&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Of a Fire on the Moon&amp;#039;&amp;#039; ([[71.1]]) is published on 11 January by Little, Brown, the first of eight books by Mailer to be published by this firm. It is later nominated for the National Book Award in the sciences category.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Prisoner of Sex&amp;quot; ([[71.10]]) is published in the March &amp;#039;&amp;#039;Harper&amp;#039;s&amp;#039;&amp;#039;, which displeases the magazine&amp;#039;s owners and contributes to the resignation of its editor, Willie Morris.&lt;br /&gt;
&lt;br /&gt;
A staged reading of &amp;#039;&amp;#039;D.J.&amp;#039;&amp;#039;, a one-act play based on &amp;#039;&amp;#039;Why Are We in Vietnam?&amp;#039;&amp;#039; ([[76.15]]) is given in New York.&lt;br /&gt;
&lt;br /&gt;
[[Maggie Mailer|Maggie Alexandra]] born to Carol on 21 March.&lt;br /&gt;
&lt;br /&gt;
On 30 April, [[Norman Mailer|Mailer]] takes part in a contentious and humorous discourse, &amp;quot;A Dialogue on Women&amp;#039;s Liberation&amp;quot; (see [[71.16]]) at Town Hall in New York City, along with Germaine Greer, Diana Trilling and others. Mailer says that his hair turned white that night. The evening forms the basis for Donn Pennebaker&amp;#039;s documentary film, &amp;quot;Town Bloody Hall&amp;quot;, which is Germaine Greer&amp;#039;s description of the evening.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The Prisoner of Sex&amp;#039;&amp;#039; ([[71.20]]), which contains Mailer&amp;#039;s brilliant 40-page reflection on D.H. Lawrence, is published in book form on 27 May, and nominated for the National Book Award in the arts and letters category.&lt;br /&gt;
&lt;br /&gt;
In August, José Torres&amp;#039;s biography of Muhammad Ali, &amp;#039;&amp;#039;Sting Like a Bee: The Muhammad Ali Story&amp;#039;&amp;#039;, is published with a preface by Mailer.&lt;br /&gt;
&lt;br /&gt;
On 8 September, [[Matthew Norris]] born to [[Norris Church Mailer|Barbara Norris]], who Mailer will informally adopt after Mailer marries his mother in 1980.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Maidstone&amp;#039;&amp;#039; premieres at the Whitney Museum in New York City on 22 September, and is published as &amp;#039;&amp;#039;Maidstone: A Mystery&amp;#039;&amp;#039; ([[71.28]]) in October. &amp;#039;&amp;#039;The Long Patrol: 25 Years of Writing from the Work of Norman Mailer&amp;#039;&amp;#039; ([[71.29]]), a 739-page anthology containing selections from all of Mailer&amp;#039;s major books to that year, edited by [[Robert F. Lucid]], is published on 25 October. Lucid also edits the first collection of critical essays, &amp;#039;&amp;#039;Norman Mailer: The Man and His Work&amp;#039;&amp;#039;, published by Little, Brown.&lt;br /&gt;
&lt;br /&gt;
On 2 December, he appears on the &amp;#039;&amp;#039;Dick Cavett Show&amp;#039;&amp;#039; with Janet Flanner and Gore Vidal, and via his acrimonious exchanges with Vidal (who compared Mailer to Charles Manson in an essay in the &amp;#039;&amp;#039;New York Review of Books&amp;#039;&amp;#039;), re-writes the rules of the television talk show when he attacks his host and fellow guests, and draws the audience into the fray.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:1971 NM.jpg|NM in 1971. AP file photo.&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{1960s|state=collapsed}}&lt;br /&gt;
{{1970s|state=expanded}}&lt;br /&gt;
{{1980s|state=collapsed}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Days]]&lt;br /&gt;
[[Category:Days in the 1970s]]&lt;/div&gt;</summary>
		<author><name>Grlucas</name></author>
	</entry>
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