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	<title>Project Mailer - User contributions [en]</title>
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	<updated>2026-05-09T14:27:21Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://projectmailer.net/index.php?title=User:MWiggins&amp;diff=11813</id>
		<title>User:MWiggins</title>
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		<updated>2020-09-30T00:54:08Z</updated>

		<summary type="html">&lt;p&gt;MWiggins: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Morgan Wiggins&amp;#039;&amp;#039;&amp;#039; is a junior at Middle Georgia State University. Morgan is pursing a bachelor&amp;#039;s degree in New Media and Communication. Morgan is a student of Dr. Lucas&amp;#039;s W...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Morgan Wiggins&#039;&#039;&#039; is a junior at Middle Georgia State University. Morgan is pursing a bachelor&#039;s degree in New Media and Communication. Morgan is a student of Dr. Lucas&#039;s Writing  for Digital Media course.&lt;/div&gt;</summary>
		<author><name>MWiggins</name></author>
	</entry>
	<entry>
		<id>https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_2,_2008/Meeting_Mailer&amp;diff=11425</id>
		<title>The Mailer Review/Volume 2, 2008/Meeting Mailer</title>
		<link rel="alternate" type="text/html" href="https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_2,_2008/Meeting_Mailer&amp;diff=11425"/>
		<updated>2020-09-15T23:40:26Z</updated>

		<summary type="html">&lt;p&gt;MWiggins: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{DISPLAYTITLE:&amp;lt;span style=&amp;quot;font-size:22px;&amp;quot;&amp;gt;{{BASEPAGENAME}}/&amp;lt;/span&amp;gt;{{SUBPAGENAME}}}}&lt;br /&gt;
{{MR02}}&lt;br /&gt;
{{byline|last=Stratton|first=Richard|abstract=A writer recounts his relationship with Norman Mailer, beginning in the 1970s.&lt;br /&gt;
|url=https://prmlr.us/mr08stra}}&lt;br /&gt;
&lt;br /&gt;
{{dc|dc=“It| was the early 1970&#039;s.”}} I was living in Provincetown, Massachusetts, on a&lt;br /&gt;
writing fellowship at the Fine Arts Work Center. Across Commercial Street,&lt;br /&gt;
the narrow lane meandering through town, cater-cornered to the garret&lt;br /&gt;
apartment where I lived, was a big red brick house on Cape Cod Bay. A&lt;br /&gt;
young woman, Bobbi, worked in that house as a cook and housekeeper for&lt;br /&gt;
Norman Mailer. Bobbi lived in the ground floor apartment of the building&lt;br /&gt;
I lived in and over the fall and winter months we became friends.&lt;br /&gt;
&lt;br /&gt;
“You should meet Norman,” Bobbi said to me one evening as we sat&lt;br /&gt;
drinking wine and talking. “You guys would hit it off.”&lt;br /&gt;
&lt;br /&gt;
By then I was already a Mailer aficionado. I had come to his writing&lt;br /&gt;
through his movies. On a whim one night I went to a screening at Brandeis&lt;br /&gt;
of Beyond the Law—it was the title that attracted me. Ninety minutes later&lt;br /&gt;
I walked out of the auditorium determined to read Mailer, for anyone who&lt;br /&gt;
could make a film that bold and outrageous about cops and criminals, I&lt;br /&gt;
knew, had to have much to teach me about writing.&lt;br /&gt;
&lt;br /&gt;
I read Mailer over the next several months, and, during the summer while&lt;br /&gt;
I attended a writing course at Harvard, his alma mater, I got up the nerve to&lt;br /&gt;
write him a letter. First I read the early novels, &#039;&#039;The Naked and the Dead, Barbary Shore, The Deer Park, then, The Armies of the Night&#039;&#039;, and I was hooked.&lt;br /&gt;
This was, after all, a time when the death of the novel had already been&lt;br /&gt;
announced and readers and writers of fiction were in mourning. Given what&lt;br /&gt;
we were living through at the time—the Kennedy and Martin Luther King&lt;br /&gt;
assassinations, the war in Vietnam and rioting in the streets of American cities, as seen on the evening news—reading fiction was a bit like reading obituaries. The potential for fiction to ignite the public consciousness had been&lt;br /&gt;
usurped by reporting current events and what was to become known as the&lt;br /&gt;
new journalism.. With The Armies of the Night, Mailer became its stellar&lt;br /&gt;
performer, there in the event, balls to the wall, and back at his desk, writing&lt;br /&gt;
with a hard-on.&lt;/div&gt;</summary>
		<author><name>MWiggins</name></author>
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