Norman Mailer and the Cutting Edge of Style: Difference between revisions

From Project Mailer
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{{hatnote|Still being edited as of March 04, 2019}}
{{byline|last=McConnell|first=Frank D.}}
{{byline|last=McConnell|first=Frank D.}}
{{notice|Chapter 2 from {{cite book |last=McConnell |first=Frank D. |date=1977 |title=Four Postwar American Novelists: Bellow, Mailer, Barth, and Pynchon |url= |location=Chicago |publisher=University of Chicago Press }} Reprinted here with permission from Celeste (McDonnell) Barber.}}
{{notice|Chapter 2 from {{cite book |last=McConnell |first=Frank D. |date=1977 |title=Four Postwar American Novelists: Bellow, Mailer, Barth, and Pynchon |url= |location=Chicago |publisher=University of Chicago Press }} Reprinted here with permission from Celeste (McConnell) Barber.}}
[[File:Mcconnell.jpeg|thumb|Cover art from McConnell's ''Four Postwar Novelists''.]]
[[File:Mcconnell.jpeg|thumb|Cover art from McConnell's ''Four Postwar Novelists''.]]



Revision as of 12:19, 7 March 2019

Cover art from McConnell's Four Postwar Novelists.

Contents

  1. Introduction
  2. The Naked and the Dead
  3. Barbary Shore
  4. The Deer Park
  5. An American Dream
  6. Why Are We in Vietnam? and The Armies of the Night