Norman Mailer’s “The White Negro: Superficial Reflections on the Hipster”: A Selective Bibliography

By: JASON MOSSER

. . .

Adams, Laura. Existential Battles: The Growth of Norman Mailer. Athens, OH: Ohio UP, 1976.—, ed. Will the Real Norman Mailer Please Stand Up? Port Washington, NY: Kennikat Press, 1974.

Ahearn, Allen. “Collecting Mailer.” The Mailer Review, vol. 3, no. 1, Fall 2009, pp. 414-443.

Albert, Judith Clavir, and Stewart Edmund Albert, editors. The Sixties Papers: Documents of a Rebellious Decade. NY: Praeger, 1984.

Alvarez, A. “The Literature of the Holocaust.” Commentary, 38.5 (Nov. 1, 1964), pp. 6+

Auchincloss, Eve and Nancy Lynch. “An Interview with Norman Mailer.” Mademoiselle 52 (February 1961), pp. 160-63.

Baldwin, James. “The Black Boy Looks at the White Boy.” Esquire, 55, no. 5 (1961), pp. 102-06.

Back, Les. “The ‘White Negro’ Revisited: Race and Masculinities in South London.” Dislocating Masculinity: Comparative Ethnographies. Andrea Cornwall, and Nancy Lindisfarne, editors. NY: Routledge, pp. 171-183.

Bailey, J. Norman Mailer: Quick Change Artist. NY: Harper & Row, 1979.

Balbert, P. “From Lady Chatterley’s Lover to The Deer Park: Lawrence, Mailer, and the Dialectic of Erotic Risk.” Studies in the Novel, vol. 22, no. 1, Spring 1980, pp. 67-81.

Begiebing, R.J., and Philip Bufithis. “A Dialogue on Mailer’s Novels.” Mailer Review, vol. 2, no. 1, Fall 2008, pp. 225-264.

Bernstein, Mashey. “The Heart of the Nation: Jewish Values in the Fiction of Norman Mailer.” The Mailer Review, vol. 3, no. 1, Fall 2008, pp. 376-884.

Bird, Caroline. “Born 1930: The Unlost Generation.” Harper’s Bazaar, vol. 90, issue 2943, Feb. 1957, pp. 104+.

Bishop, Sarah. “The Life and Death of the Celebrity Author in Maidstone.” The Mailer Review, vol. 6, no. 1, Fall 2012, pp. 288-308.

Braudy, Leo. “Norman Mailer: The Pride of Vulnerability.” Introduction. Norman Mailer: A Collection of Critical Essays. Leo Braudy, editor. Englewood Cliffs, NJ: Prentice-Hall, 1972

Broer, Lawrence R. “Identity Crisis: A State of the Union Address.” The Mailer Review, vol. 2, no. 1, Fall 2008, pp. 364-375.

Bromwich, David. “Norman Mailer (1924-2007).” Dissent, vol. 55, no. 2, Spring 2008, pp. 97-99.

Bufithis, Philip H. Norman Mailer. Modern Literature Monographs. New York: Ungar, 1978.

Campbell, James. Exiled in Paris: Richard Wright, James Baldwin, Samuel Beckett, and Others on the Left Bank. NY: Scribner, 1995.

Castronovo, David. “Norman Mailer as Midcentury Advertisement.” New England Review, vol. 24, no. 4, Fall 2003, pp. 179-186. 

Chandarlapaty, Raj. “Dreams, Death, and Bottle-Break: Modernist Ethnopoetics and the Beatnik Quest for Ascesis.” The Mailer Review, vol. 7, no. 1, Fall 2013, pp. 279-294.

—. “Through the Lens of the Beatniks: Norman Mailer and the Modern American Man’s Quest for Self-Realization.” The Mailer Review, vol. 5, no. 1, Fall 2011, pp. 231-247.

Charters, Ann, editor. Introduction. Beat Down to Your Soul: What Was the Beat Generation? NY: Penguin Books, 2001, pp. xv-xxxvii.

Charters, Samuel. “Hipsters, Flipsters, and Finger-Poppin’ Daddies: A Note on His Lordship, Lord Buckley, the Hippest of the Hipsters.” Beat Down to Your Soul: What Was the Beat Generation? Ann Charters, editor. NY: Penguin Books, 2001, pp. 97-109.

Cleaver, Eldridge. Soul on Ice. NY: McGraw-Hill, 1968.

Cobb, Russell, ed. The Paradox of Authenticity in a Globalized World, 2014. NY: Palgrave Macmillan, 2014.

Cohen, Sara Jo. “Making Masculinity and Unmasking Jewishness: Norman Mailer’s Wild 90 and Beyond the Law.” The Mailer Review, vol. 5, no. 1, Fall 2011, pp. 183-198.

Cook, Bruce. The Beat Generation: The Tumultuous 50s Movement and Its Impact on Today. NY: Quill, William Morrow, 1994.

Cotkin, George. Existential America. Baltimore, MD: The Johns Hopkins University Press, 2003.

—. “History’s Moral Turn.” Journal of the History of Ideas, vol. 69, no. 2, Apr. 2008, pp. 293-315.

—. “The Photographer in the Beat-Hipster idiom: Robert Frank’s The Americans.” American Studies, vol. 26, no. 1, Spring 1985, pp. 19-33.

Curley, Thomas F. “The Quarrel with Time in American Fiction.” Review of Advertisements for Myself by Norman Mailer, The American Scholar, vol. 29, no. 4, Autumn 1960, pp. 552+.

Dalhby, Tracy. “’The White Negro’ Revisited: The Demise of the Indispensable Hipster.” The Mailer Review, vol. 5, no. 1, Fall 2011, pp. 218-230.

Davis, Kimberly Chabot. Beyond the White Negro: Empathy and Anti-Racist Reading. Chicago: Univ. of Illinois Press, 2014.

Dearborn, Mary V. Mailer: A Biography. Boston: Houghton Mifflin, 1999.

De Mott, Benjamin. “Reading They’ve Liked.” The Hudson Review, vol. 13, no.1, Spring 1960, pp. 143-148.

Dickstein, Morris. Leopards in the Temple: The Transformation of American Fiction, 1945-1970. Cambridge: Harvard UP, 2002.

Dinerstein, Joel, and Frank H. Goodyear III. American Cool. NY: National Portrait Gallery, Smithsonian Institution, Delmonico Books, 2008.

Douglas, Ann. “Punching a Hole in the Big Lie: the Achievement of William S. Burroughs.” Introduction. Word Virus: The William S. Burroughs Reader. James Grauerholz, and Ira Silverburg, editors. NY: Grove Press, 1998. pp. xv-xxix.

Driver, Justin. “”Cambridge Diarist: Class Act.” New Republic, November 25, 2002, p.42.

Duff, Anthony. “Psychopathy and Moral Understanding.” American Philosophical Quarterly, vol. 14, no. 3, July 1977, pp. 189-200.

Duncombe, Stephen, and Maxwell Tremblay, editors. White Riot: Punk Rock and the Politics of Race. London: Verso, 2011.

Dupee, F.W. “The American Norman Mailer.” Review of Advertisements for Myself by Norman Mailer. Commentary, vol. 29, no. 2 (Feb., 1960), pp. 128-32.

Edmundson, Mark. “Romantic Self-Creations: Mailer and Gilmore in The Executioner’s Song.” Contemporary Literature, vol. 31, no. 4, Winter 1990, pp. 434-447.

Ehrlich, Robert. Norman Mailer: The Radical as Hipster. Metuchen, NJ: Scarecrow Press, 1978.

Escoffier, Jeffrey. “Homosexuality and the Sociological Imagination: The 1950s and 1960s.” A Queer World: The Center for Lesbian and Gay Studies Reader. Martin Duberman, editor. NY: NYU Press, 1997, pp. 248-261.

Farbar, Jennifer L. “Mailer on Mailer.” Esquire, 105 (June 1986). pp. 238+.

Finholt, Richard D. “’Otherwise How Explain?’ Norman Mailer’s New Cosmology.” Modern Fiction Studies, vol. 17, no. 3, Fall 1971, p. 375.

Finkelstein, Sidney. “Existential and Social Demands: Norman Mailer and James Baldwin.” Existentialism and Alienation in American Literature. NY: International Publishers, 1965, pp. 269-284.

Ford, Philip. “Somewhere/Nowhere: Hipness as an Aesthetic.” The Musical Quarterly, vol. 86, no. 1, Spring 2002, pp. 49-81.

Foreman, Joel. “Ideology, Culture, and Character: 1945-1960.” American Quarterly, vol. 45, no. 1, Mar. 1993, pp. 176-186.

Fried, Lewis. “The Image of the Black in Jewish-American Fiction: The Other Tradition.” Shofar: An Interdisciplinary Journal of Jewish Studies, vol. 12, no. 2, Winter 1994, pp. 36-49.

Fulford, Bob. “Mailer, McLuhan and Muggeridge: On Obscenity.” The Realist, 83 (October 1968), pp. 116-138.

Fulgham, Richard Lee. “The Wise Blood of Norman Mailer: An Interpretation and Defense of Why Are We in Vietnam?The Mailer Review, vol. 2, no. 1, Fall 2008, pp. 337-347.

Glenday, Michael K. Norman Mailer. London: Macmillan Press Ltd., 1995.

Glicksburg, Charles L. “Norman Mailer: The Angry Young Novelist in America.” Wisconsin Studies in Contemporary Literature, vol. 1, no. 1, Winter 1960, pp. 25-34.

Glueck, Sheldon and Eleanore T. Glueck. Unraveling Juvenile Delinquency. NY: Commonwealth Fund, 1950

Gordon, Andrew M. An American Dreamer: A Psychoanalytic Study of the Fiction of Norman Mailer. Rutherford, NJ: Fairleigh Dickinson UP, 1980.

—. “Last of the Late Romantics.” Review of Norman Mailer’s Later Fictions: Ancient Evenings through The Castle in the Forest,” John Whalen-Bridge, editor, The Mailer Review, vol. 3, no. 1, Fall 2011, pp.433-439.

Greif, Mark, Kathleen Ross, and Dayna Tottorici, editors. What Was the Hipster? A Sociological Investigation. NY: n+1 Foundation, 2010.

Grimsted, David. “The Jekyll-Hyde Complex in Studies of American Popular Culture.” Reviews in American History, vol. 14, no. 3, Sept. 1986, pp. 428-435.

Gutman, Stanley T. Mankind in Barbary: The Individual and Society in the Novels of Norman Mailer. Hanover, NH: The University Press of New England, 1975

Hale, Grace Elizabeth. A Nation of Outsiders: How the Middle Class Fell in Love with Rebellion in Post-War America. NY: Oxford UP, 2011.

Hamilton, Geoff. “Between Mailer and DeLillo: The ‘affectless person’ in Robert Stone’s A Hall of Mirrors.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 65, no. 2, Summer 2009, pp. 99-116.

Hannerz, Ulf. “Roots of Black Manhood.” Trans-Action , vol.6, issue 11, Oct. 1969, pp. 13-21.

Harap, Louis.  In the Mainstream: The Jewish Presence in Twentieth-Century American Literature, 1950s-1980s. Westport, CT: Greenwood Press, 1987.

Harper, Howard.M. Desperate Faith: A Study of Bellow, Salinger, Mailer, Baldwin, and Updike. Chapel Hill: Univ. of North Carolina Press, 1967.

Hassan, Ihab. “The Character of Post-War Fiction in America.” The English Journal, vol. 51, no. 1 (Jan., 1962), pp. 1-8.

Hebdige, Dick. Subculture: The Meaning of Style. NY: Routledge, 1991.

Hoffman, Frederick J. “Norman Mailer and the Revolt of the Ego: Some Observations on Recent American Literature.” Existentialism in the ’50s, vol. 1, no. 3, Autumn 1960, pp 5-12.

Holmes, Colin. “Psychopathic Disorder: A Category Mistake?” Journal of Medical Ethics, vol.17, no. 2, June 1977, pp. 77-85.

Holmes, John Clellon. “The Game of the Name.” Passionate Opinions. Fayetteville, AR: University of Arkansas, 1988, pp. 78-94.

—. “The Philosophy of the Beat Generation.” Esquire, vol. 49, no. 2, (Feb. 1958), pp. 38+.

Holton, Robert. “’The Sordid Hipsters of America’”: Beat Culture and the Folds of Heterogeneity.” Reconstructing the Beats. Jennie Skerl, editor. NY: Palgrave Macmillan, 2004, pp. 11-27.

Hyman, Stanley Edgar. “Dangers and Limitations of Mass Culture”. Daedalus, vol. 89, no. 2, Spring 1960, pp. 377-387.

Kaufmann, Donald L. “The Long Happy Life of Norman Mailer.” Modern Fiction Studies, vol. 17, no. 3, Fall 1971, pp. 347-59.

—. “Norman Mailer in ‘God’s Attic’.” The Mailer Review, vol. 2, no. 1, Fall 2008, pp. 298-312.

—. Norman Mailer: The Countdown (The First Twenty Years). Carbondale: Southern Illinois UP, 1969.

Kazin, Alfred. “Psychoanalysis and Contemporary Literary Culture.” Psychoanalysis and Psychoanalytic Review vol. 45, nos. 1-2, Spring-Summer 1958, pp. 41-51. 

Kheshti, Rashanak. “Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in ‘A Paler Side of White’.” American Quarterly, vol. 60, no.4, Dec. 2008, pp. 1037-1055.

Lee, Benjamin. “Avant-Garde Poetry as Subcultural Practice: Mailer and Di Prima’s Hipsters.” New Literary History, vol. 41, no. 4, Autumn 2010, pp. 775-794.

Leeds, Barry H. The Enduring Vision of Norman Mailer. Bainbridge Island, WA: Pleasure Boat Studio, 2002.

—. The Structured Vision of Norman Mailer. NY: New York Univ. Press, 1969.

Lehan, Richard. “French and American Philosophical and Literary Existentialism: A Selected Check List”. Wisconsin Studies in Contemporary Literature, vol. 1, no. 3, Autumn, 1960, pp.74-88.

Leigh, Nigel. Radical Fictions and the Novels of Norman Mailer. NY: St. Martin’s Press, 1990.

Leland, John. Hip: The History. NY: Harper Collins, 2004.

Lennon, Michael J., editor. Conversations with Norman Mailer. Jackson, MS: University Press of Mississippi, 1988.

—. “Mailer’s Cosmology.” Modern Language Study, vol. 12, no. 3, Summer 1982, pp. 18-29.

—. Norman Mailer: A Double Life. NY: Simon and Schuster, 2013.

—, and Donna Pedro Lennon. Norman Mailer: Works and Days. Shavertown, PA: Sligo Press, 2000.

Lester, Julius. “Race and Revolution: Hexagram 49—Fire and Water.” Black Review, no. 1, 1971, pp. 68-86.

Levine, Andrea. “’The (Jewish) White Negro’: Norman Mailer’s Racial Bodies.” MELUS, vol. 28, no. 2, Summer 2003, pp.59-81.

Lindner, Robert M. Rebel Without a Cause: The Story of a Criminal Psychopath. NY: Grune and Stratton, 1944.

Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford: Oxford UP, 2013.

Louvre, Alf. “The Reluctant Historians: Sontag, Mailer and American Culture Critics in the 1960s.” Prose Studies, vol. 9, no. 1, 1986, pp. 47-61.

Lucas, Gerald R. “Teaching Norman Mailer in the Cloud.” The Mailer Review, vol. 7, no. 1, Fall 2013, pp. 

Mailer, Adele. The Last Party: Scenes from My Life with Norman Mailer. NY: Barricade Books, 1997.

Mailer, Norman. “Advertisement for ‘Hip, Hell, and the Navigator.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, p. 376.

—. “Brooklyn Minority Report.” Esquire, (June 1960), pp. 129+.

—. “The Hip and the Square.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, pp. 424-425.

—. “Hipster and Beatnik: A Footnote to ‘The White Negro’.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, pp. 372-75.

—. “Mailer’s Reply.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, pp. 362-365.

—. “Mailer’s Reply.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, pp. 369-371.

—. “Note to ‘Reflections on Hip’.” Advertisements for Myself. NY: G.P. Putnam’s Sons, 1959, p. 359.

—. The Selected Letters of Norman Mailer. J. Michael Lennon, editor. NY: Random House, 2014.

—. “Sixth Advertisement For Myself.” Advertisements for Myself. NY: G.P. Putnam’s Sons, pp. 331-336.

—. The Spooky Art: Thoughts on Writing. NY: Random House, 2004.

Malaquais, Jean. Reflections on Hip.” Advertisements for Myself by Norman Mailer. NY: G.P. Putnam’s Sons, 1959, pp. 359-362.

Manso, Peter. Mailer: His Life and Times. NY: Washington Square Press. 2008.

Mantzaris, Alexandros. “Contradictory Syntheses: Norman Mailer’s Left Conservatism and the Problematic of ‘Totalitarianism’.” The Mailer Review, vol. 5, no. 1, Fall 2011, pp. 337-346.

Margolies, Edward. “Untitled.” Review of Strangers in the Land by Eric J. Sundquist, African American Review, vol. 41, no. 4, Winter 2007, pp. 816-817.

Martinez, Manuel Luis. Countering the Counterculture: Recording Postwar American Dissent from Jack Kerouac to Tomas Rivera. Madison, WI: The Univ. of Wisconsin Press, 2003.

Martschukat, J. “Men in Gray Flannel Suits: Troubling Masculinities in 1950s America.” Gender Forum, issue 32, 2011, pp. 1-7.

Marx, Gary T. “The White Negro and the Negro White.” Phylon, vol. 28, no. 2, 1967, pp. 168-77.

McKinley, Maggie. “Exploring the Mystery of Marilyn.” Review of Marilyn Monroe by Norman Mailer/Burt Stern, The Mailer Review, vol. 7, no. 1, Fall 2013, pp. 407-411.

—. “Mailer’s Modern Myth: Reexamining Violence and Masculinity in An American Dream.” The Mailer Review, vol. 6, no. 1, Fall 2012, pp. 158-171.

—. Masculinity and the Paradox of Violence in American Fiction, 1950-1975. NY: Bloomsbury, 2015.

Melnick, Jeffrey Paul. “Some Notes on the Erotics of Black-Jewish Relations.” Shofar: An Interdisciplinary Journal of Jewish Studies, vol. 23, no. 4, Summer 2005, pp. 9-25.

Merrill, Robert. “Norman Mailer’s Early Nonfiction: The Art of Self-Revelation.” Western Humanities Review, vol. 28, 1974, pp. 1-12.

Messenger, Christian K. “Norman Mailer: Boxing and the Art of His Narrative.” Modern Fiction Studies, vol. 33, no.1, Spring 1987, pp. 85-104.

Miller, Gabriel. “A Small Trumpet of Defiance: Politics and the Buried Life in Norman Mailer’s Early Nonfiction.” Politics and the Muse: Studies in the Politics of Recent American Literature. Adam. J. Sorkin, editor. Bowling Green, OH: Bowling Green State University Popular Press, 1989, pp. 79-92.

Mills, Hillary. Mailer: A Biography. NY: Empire Books, 1982.

Monson, Ingrid. “The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse.” Journal of the American Musicological Society, vol. 48, no. 3, Autumn 1995, pp. 396-422.

Moore, Robert L. “We’re Cool, Mom and Dad Are Swell: Basic Slang and Generational Shifts in Values.” American Speech, vol. 79, no. 1, Spring 2004, pp. 59-86.

Mosser, Jason. “The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club.” The Mailer Review, vol. 9. no. 1, Fall 2015, pp. 85-98.

—. “Norman Mailer and the Oxford English Dictionary.” The Mailer Review, vol. 8, no. 1, Fall 2014, pp. 102-110.

Nadel, Alan. “Fiction and the Cold War.” The Cambridge Companion to American Fiction after 1945. John N. Duvall, editor. Cambridge: Cambridge UP, 2012, pp. 167-181.

Newman, Paul B. “The Jew as Existentialist.” The North American Review, vol. 250, no. 3, July 1965, pp. 48-55.

Ohmann, Richard. “Criticism.” Wisconsin Studies in Contemporary Literature, vol. 6, no. 2, Summer 1965, pp. 250-266.

Olshaker, Mark. “Words with Friends.” Review of Norman Mailer: A Double Life by J. Michael Lennon, The Mailer Review, vol. 7, no. 1, 2013, pp. 384-401.

O’Neil, Paul. “The Only Rebellion Around.” Life Magazine, vol. 47, no. 22, (Nov. 30, 1959), pp. 115+.

Petigny, Alan. “Norman Mailer, “The White Negro,” and New Conceptions of the Self in Postwar America. The Mailer Review, vol. 1, no. 1, Fall 2007, pp. 184-193.

Podhoretz, Norman. “The Know-Nothing Bohemians.” Partisan Review, vol. 25, no. 2, Spring 1958, pp. 305+.

Poirier, Richard. Norman Mailer. NY: Viking Press, 1972.

—. The Performing Self: Compositions, Decompositions in the Languages of Contemporary Life. New Brunswick, NJ: Rutgers UP, 1992.

Polsky, Ned. “Reflections on Hip.” Advertisements for Myself by Norman Mailer. NY: G.P. Putnam’s Sons, 1959, pp. 365-369.

Radford, Jean. Norman Mailer: A Critical Study. NY: The Macmillan Press, Ltd., 1975.

Rainwater, Lee. “Crucible of Identity: The Negro Lower-Class Family.” Dedalus, vol. 95, no. 1, Winter 1966, pp. 172-216.

Redding, Arthur. Turncoats, Traitors, and Fellow Travelers: Culture and politics of the Early Cold War. Jackson, MS: University Press of Mississippi, 2008.

Regnier, Paul. “Writing from the Center and from the Periphery of Culture: Norman Mailer and Don Delillo.” The Mailer Review vol. 7, no. 1, Fall 2013, pp. 260-271.

Ren, Hujun. “Norman Mailer in China: Criticism and Translation.” The Mailer Review, vol. 7, no. 1, Fall 2013, pp. 119-133.

Rollyson, Carl E. The Lives of Norman Mailer: A Biography. NY: Paragon House, 1999.

Rosenshield, Gary. “Crime and Redemption, Russian and American Style: Dostoyevsky, Buckley, Mailer, Styron and Their Wards.” The Slavic and Eastern European Journal, vol. 42, no. 4, Winter 1998, pp. 677-709.

Ross, Andrew. No Respect: Intellectuals & Popular Culture. NY: Routledge, 1989.

Roszak, Theodore. The Making of a Counter-Culture: Reflections on the Technocratic Society and Its Youthful Opposition. Berkeley: Univ. of California Press, 1968.

Savran, David. Taking It Like a Man: White Masculinity, Masochism, and Contemporary American Culture. Princeton, NJ: Princeton UP, 1998.

Schrag, Peter. Decline of the WASP. 2nd ed. NY: Simon and Schuster, 1971.

Schulz, Max F. “Mailer’s Divine Comedy.” Contemporary Literature, vol. 9, no. 1, Winter 1968, pp. 36-57.

Scott, Nathan A., Jr. Three American Moralists: Mailer, Bellow, Trilling. South Bend, IN: University of Notre Dame Press, 1973.

Sermeus, Martjin. “Norman Mailer’s Myth-Making in An American Dream and ‘The White Negro’.” The Mailer Review, vol. 5, no. 1, Fall 2011, pp. 347-66.

Sheatsley, Paul B. “White Attitudes toward the Negro.” Dedalus, vol. 95, no. 1, Winter 1966, pp. 217-238.

Shoemaker, Steve. “Norman Mailer’s ‘White Negro’: Historical Myth or Mythical History?” Twentieth Century Literature, vol. 37, no. 3, Autumn 1991, pp. 343-360.

Sipiora, Phillip. Preface. Mind of an Outlaw: Selected Essays by Norman Mailer. NY: Random House, 2013, pp. xvii-xxiv.

—. “The Complications of Norman Mailer: A Conversation with J. Michael Lennon.” The Mailer Review, vol. 7, no. 1, Fall 2013, pp. 23-65.

Skloot, Robert. “The Theater and the Crisis of Language”. Journal of Aesthetic Education, Vol. 6, No. 4, Oct., 1972, pp. 63-75.

Solomon, Robert C., editor. Introduction. Existentialism. 2nd ed. NY: Oxford Press, 2005, pp. xi- xx.

Solotaroff, Robert. Down Mailer’s Way. Urbana, IL: Univ. of Illinois Press, 1974.

Stephenson, Gregory. The Daybreak Boys: Essays on the Literature of the Beat Generation. Carbondale, IL: Southern Illinois University Press, 1990.

Stern, Richard G. and Robert F. Lucid. “Hip, Hell and the Navigator.” The Western Review 23 (Winter 1959), pp. 101-09.

Stratton, Richard. “Mailer Matters.” The Mailer Review, vol. 6, no. 1, Fall 2012, pp. 61-66.

—. “Norman Mailer on Pot.” High Times, no. 347, (November-December, 2004), pp. 44+.

Stuart, Lyle. “An Intimate Interview with Norman Mailer.” Expose, no. 49, Dec. 1955, pp.1+.

Sundquist, Eric J.  Strangers in the Land: Blacks, Jews, Post-Holocaust America. Cambridge, MA: The Belknap Press of Harvard University Press, 2005.

Tallman, Warren. “Kerouac’s Sound.” The Tamarack Review, Spring 1959, pp. 58-74.

Tanner, Tony. “On the Parapet.” Critical Quarterly, vol. 12, no. 2, Summer 1970, pp. 70-101.

Taylor, D. “Three Lean Cats in a Hall of Mirrors: James Baldwin, Norman Mailer, and Eldridge Cleaver on Race and Masculinity.” Texas Studies in Language and Literature, vol. 52, no. 1, 2010, pp. 70-101.

Tien, Morris Wei-hsin. “The Existential Politics of Norman Mailer: A Study of His Non-Fiction Prose of the Sixties.” American Studies, vol. 15, no. 1, March 1985, pp. 1-51.

Tom, Patricia Vettel. “Bruce Davidson’s Gang Photographs and Outlaw Masculinity.” Art Journal, vol. 56, no.2, Summer 1997, pp. 69-74.

Trilling, Diana. “The Radical Moralism of Norman Mailer.” Encounter, vol. 19, no. 5, (Nov. 1962), pp. 45-56.

Villa, Judith. “Untitled.” Review of Sentenced to Death: The American Novel and Capital Punishment by David Guest. Rocky Mountain Review of Language and Literature, vol. 51, no. 2, 199, pp. 56-59.

Wakefield, Dan. New York in the 1950s. NY: St. Martin’s Press, 1992.

Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture. Durham, NC: Duke UP, 2000.

Wallace, Michele. Black Macho and the Myth of the Superwoman. NY: Verso, 1990.

Walser, Robert, ed. Keeping Time: Readings in Jazz History. 2nd ed. NY: Oxford UP, 2015.

Wasson, Richard. “Untitled.” Review of The Making of a Counterculture by Theodore Roszak, College English, vol. 31, no. 6, Mar. 1970, pp. 624-628.

Watson, Stephen. The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944-1960. NY: Pantheon Books, 1995.

Weatherby, W. J.  Squaring Off: Mailer vs. Baldwin. NY: Mason/Charter, 1977.

Wenke, Joe. Mailer’s America. Stamford, CT. Trans Uber LLC, 2013.

Whalen-Bridge, John. “The Myth of the American Adam in Late Mailer.” Connotations. Vol. 5, issue 2, 1992, pp. 304-22.

—. “Some New American Adams: Politics and the Novel into the Nineties.” Studies in the Novel, vol. 24, issue 2, 1992, pp. 187-200.

—, and Angela Oon. “Washed by the Swells of Time: Reading Mailer, 1998- 2008.” The Mailer Review, vol. 3, no. 1, Fall 2009, pp. 212-243.

Whaley, Preston, Jr. Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture. Cambridge: Harvard UP, 2004.

White, Miles. From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity. Urbana, IL: Univ. of Illinois Press, 2011.

Whiting, Frederick. “Stronger, Smarter, and Less Queer: ‘The White Negro’ and Mailer’s Third Man”. Women’s Studies Quarterly Vol. 35, No. ¾, Fall-Winter 2005, pp. 189-214.

Whitmer, Peter O., and Bruce VanWyngarden. “Aquarius Rerevisited: 2007.” Introduction. Aquarius Revisited: Seven Who Created the Sixties Counterculture That Changed America. NY: Kensington Publishing Corp., 2007, pp. ix-xxxv.

Wollheim, Richard. “Living Like Heroes.” New Statesman, 29 September 1961, pp. 443-45.

Woods, William Crawford. “The ‘Passed’ White Negro: Brossard and Mailer at the Roots of Hip.” Review of Contemporary Fiction, vol.7, no. 1, 1987, pp. 94-102. 

Yaffe, David. “White Negroes and Native Sons: Jazz and Writing in America.” The Chronicle of Higher Education, May 14, vol. 50, issue 36, 2004, pp. B7-10.

Zirakzadeh, Cyrus Ernesto. “Political Prophecy in Contemporary American Literature: the Left- Conservative Vision of Norman Mailer.” The Review of Politics, vol. 69, no. 4, Fall 2007, pp. 625-649.

NMS Podcast 46: Mike Lennon on Dwight Macdonald

In Episode #46 of the Norman Mailer Society podcast, host Justin Bozung and Mailer’s archivist, official biographer, and president of the Norman Mailer Society, J. Michael Lennon, discuss Norman Mailer’s friendship with literary critic and essayist Dwight Macdonald. In 1974, Mailer wrote “Introduction” for Macdonald’s Discriminations: Essays & Afterthoughts. This brief consideration not only reads as an affectionate honorarium to Macdonald, whom Mailer first met in 1949, but also tells of the influence the former editor of Partisan Review had on Mailer himself. Both men share a varied attack on style, but also focus, in the vein of Hemingway, on a means in which one can explore the “feel” of phenomena.

Read Mailer’s Introduction to Discriminations.

Throughout the remainder of 2017, Lennon and Bozung will be examining Mailer’s introductions, forewords, and prefaces written for such luminaries as Seymour Krim, Michael McClure, Eugene Kennedy, Abbie Hoffman and others.

“On the Day of Destruction” By Steve Marcus

“On the Day of Destruction” by Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If you’re attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.

 

About Steve Marcus

Steve Marcus (aka smarcus) has been a fixture of NYC’s Lower East Side for a more than a quarter century, creating artwork for popular and unpopular culture. Spanning, print, fashion, music, film and animation, his works have been experienced by millions.

He has collaborated with Allen Ginsberg, Ken Kesey, Timothy Leary, The Miguel Pinero Estate and created artwork and illustrations for High Times Magazine and the infamous Cannabis Cup, Esquire, ArtForum, Random House, Conde Nast Publications, and the renowned Fillmore Theater in San Francisco. Marcus’ animations were featured in Watson Guptil’s coffee table book Flash Frames, showcasing the pioneers of flash animation while his mind-bending visuals for The Red Hot Chili Peppers’ Californication Tour and were shown at Radio City Music Hall during the MTV Music Awards, as well as during the opening of the Experimental Music Project Museum. His animated short film Three Thug Mice (2008-2009), a street legend classic that features voice acting by more than 80 cult celebrities and captured a global underground audience, was officially selected for 12 international film festivals, winning seven “Best” awards in diverse categories.

Marcus has received honors and awards from the American Society of Illustrators; and has several works in the permanent collection of the Oakland Museum of California and in private art collections in the United States and Israel. He has been recognized as one of the 500 most influential outsiders in The United States by Future 500; and is honored to have created a hand drawn stained glass panel installed in the Aron Ha’Kodesh in the Beit Medresh at Reb Moshe Feinstein z’l world renowned Lower East Side Yeshiva, Mesivta Tifereth Jerusalem in 2013.

“Upsetting the Bowl” by Steve Marcus

“Upsetting the Bowl” By Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If you’re attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.

“Vanity of Vanities” by Steve Marcus

“Vanity of Vanities” By Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If your’e attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.

“The Burden” by Steve Marcus

“The Burden” By Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If you’re attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.

“The Desert” by Steve Marcus

“The Desert” By Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If you’re attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.

“The Premise” By Steve Marcus

“The Premise” By Steve Marcus is one in a series of 13 limited edition 20 x 16 giclee fine art prints inspired by Norman Mailer’s commentary on Martin Buber’s “Tales of the Hasidim” which appeared in Commentary Journal, published by the American Jewish Committee in the June 1963 Edition. If you’re attending the 2017 Conference,  Pre-order by September 11 and have your print personally hand delivered to your hotel room by the artist.

350.00 USD  – 10% of print sales ordered before or during  the 2017 conference will be donated to the society. Purchase securely using PayPal.